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Liber Cordis Cincte Serpente vel LXV sub figura ינדא
Chapter I
[Note: All italic comments belong to the Master Therion unless otherwise noted; all plain type belong to Marcelo Motta]
The five chapters refer to the five Elements. 1-Earth, 2-Air, 3-Water, 4-Fire, and 5-Spirit. Each shows its Element in the light of the relation between the Adeptus Minor and his Holy Guardian Angel.
Thus in Chapter I the material world or sensible aspect of Nature is shown to be a mere symbolic picture of something altogether different.
Of course the elements below Spirit are considered from the point of view of Spirit, since Akasha is the Center, or harmonization, of the lower Elements. Also, the presentations given by O.M. in his commentaries are not as universal in scope as the images in the original: they represent a limitation, the point of view of one Adept, only. The Commentaries are therefore useful as referentials, but candidates must strive to build their own frames of coordinates, which can safely be done only from the verses themselves. Whey, then, write Commentaries at all? There are many reasons. One of them, not the least, is that Religion should be a Science as well as an Art. Sciences need measurement, which depends on fulness of data. The more landmarks available, the easier to build frames, and eventually measurement will become possible. Then, of course, LXV will become obsolete as a religious manual. But by that time its Author, or His disciples, will be ready to produce another just beyond the reach ofmeasurement. Or if not they, someone else.
1. I am the Heart; and the Snake is entwined About the invisible core of the mind. Rise, O my snake! It is now is the hour Of the hooded and holy ineffable flower. Rise, O my snake, into brilliance of bloom On the corpse of Osiris afloat in the tomb! O heart of my mother, my sister, mine own, Thou art given to Nile, to the terror Typhon! Ah me! but the glory of ravening storm Enswathes thee and wraps thee in frenzy of form. Be still, O my soul! that the spell may dissolve As the wands are upraised, and the eons revolve. Behold! in my beauty how joyous Thou art, O Snake that caresses the crown of mine heart! Behold! we are one, and the tempest of years Goes down to the dusk, and the Beetle appears. O Beetle! the drone of Thy dolorous note Be ever the trance of this tremulous throat! I await the awaking! The summons on high From the Lord Adonai, from the Lord Adonai! Invocation of Kundalini. The adept ``dies'' to the natural world and blooms as a Lotus. He ceases: and enters the midnight silence where he adores Khephra. Then he awaits the coming of his Lord. 2. Adonai spake unto V.V.V.V.V., saying: There must ever be division in the word. 3. For the colours are many, but the light is one. 4. Therefore thou writest that which is of mother of emerald, and of lapis-lazuli, and of turquoise, and of alexandrite.
5. Another writeth the words of topaz, and of deep amethyst, and of gray sapphire, and of deep sapphire with a tinge as of blood. 6. Therefore do ye fret yourselves because of this. 7. Be not contented with the image. 8. I who am the Image of an Image say this. 9. Debate not of the image, saying Beyond! Beyond! One mounteth unto the Crown by the moon and by the Sun, and by the arrow, and by the Foundation, and by the dark home of the stars from the black earth. 10. Not otherwise may ye reach unto the Smooth Point. 11. Nor is it fitting for the cobbler to prate of the Royal matter. O cobbler! mend me this shoe, that I may walk. O king! if I be thy son, let us speak of the Embassy to the King thy Brother. 2-11 The Angel says: Each men sees Nature in his own particular way. What he sees is only an image. k All images must be ignored; the adept must aspire single-hartedly to the Smooth Point. This matter cannot be discussed in common language; the king must speak of kingly things in a kingly way. The references to precious stones hsould be understood in the light of qabalistic correspondences, but also, particularly, in the light of the Thrid Great Ordeal mentioned in AL III.66. If two men ivsit a country and then write a description of it, their descriptions will differ in what their normal idiosyncrasies differ, not matter how gereal be their intention to make their descriptions. In talking about realsms as little treaded as those of the subtler Sheaths of the Self, the almost total absence of general experience in the matter makes small differences in description more confusing, not only to the listeners but to the describer himself, than they should normally be. In practice, what happens is that na Adept may be serenely minding his own business, and expouding his own system of achievement, and being successful in bringing other men to self-realization through his system, and suddenly he is confronted with what appears to be a totally different set of symbols nad plan of training which, nevertheless, he feels to be a least as valid as his own. This ‘feeling’ is of course simply his spiritual perception at work. But his Lower Manas does not share this spiritual perception (except in rarest cases) in its fuloness, and worries. The Lower Manas is the "cobbler" whose function is merely to mend the shoe (remember the sandal-strap in the hand of the Eqyptian god, signifying the power of Akasha, the power of Goiung) so that the higher faculties may walk (he is elsewhere mentioned in this Holy Book as the ‘scribe’, but the cobbler is a more complex concept. The ‘scribe’ is merely the Lower Manas, but he ‘cobbler’ is the complex Lower Manas + Kama+Prana+Linga Sharira+Sthula Sharira considered as the total ‘normal man’. Of course, in the case of an Adept, however, this ‘normal man’ is initiate, and will have greater control of his vehicles, and a greater infusion in them of spiritual principles, than is the true norm of profane mankind). No matter what differences in approach there may be among legitimate Schools if Initiation (there are false schools, and ther are schools wiich are not false, but are so fragmentary in their training that it becomes impossible to call them legitimate), the human race is so constituted that it can only reach Integration, that is, Initiation, by the equilibrating Trances of the Middle Path of the Qabalah. These experiences are, therfore, the crucial ones (if you will pardon the pun). Provided the system in question includes them in one form or another, the system is all right. Of course, other lines of evolution may be differently constituted. They all have in common the Smooth Point, however, or so at least the Angel seems to intimate. Often ill-trainined, or greenhorn Adepts (those who are reaching Tiphereth for the frist time in one particular incarnation, and never reached it before, and therefore have no Magickal Memore—the so-called Intuition—to help them), will become disturbed when making contact with another system which may seem to differ wildly from their own (sometimes as if it were it complete opposite), and which yet they feel, rightly, to be true. In such cases it is fatal to leaveyour system and tackle theother. It is mixing the planes. If there be a need of contact between your branch of activity and that other, this contact should be made on the plane of Buddhi-Manas, and not on any lower plane. It is the "king’s son", that is, the Prince, that is, the Tiphereth-consciousness, that should handle the "Embassy" to the other King involved. The "cobbler" must be made to do his work, that is to deep the lower vehicles in good health and disciplned to the Call of the Highest. There is naturally, and excpetion to the rule of not going into the details of another system: when you are tyring to perfect a new system that should include the best points of two—or more—others. Normally, however, the Impulse will be known, in this case, to come from the Prince—from Tiphereth. Do what thou wilt shall be the whole of the Law. 12. Then was there silence. Speech had done with us awhile. There is a light so strenuous that it is not perceived as light. Silence. The Adept reports his impressions. (a) The highest degree of any given kind of energy surpasses the receptive power of the observer. This it appears as if of some other order. 13. Wolf's bane is not so sharp as steel; yet it pierceth the body more subtly. The subtler the form of energy, the more potent, but it is less easily observed. The use of poisons and weapons as symbolas indicates that the first result of the impact of higher energy in lower vehicles is, apparently at least, destructive. The charge produces a stepping-up in existing rates of vibration, with consequent expansion and agitation of all psychosomatic processes. The purely physical phenomena subside quickly because the human body, materially speaking, is the highest developed vehicle that we possess, normally, at this stage of evolution. Emotionally we are also much better developed than mentally, so the ecstasies connected with the Trances are easily absorbed within a few days, at the most. But since our Manas is our most recently developed Sheath, mental disturbance may last for quite longer and, in some cases, amy become irreversible. In short, we may go insane as a result of Trance. Many have. This explains fanaticism, and religious persecution, throughout the history of mankind, but it also explains the excesses of revolutionaries and of conquering armies everywhere. Forget not, either, the bickering of scientists confronted with a new fact that fails to fit in with tier pet theories, or the existing concept of the Universe. 14. Even as evil kisses corrupt the blood, so do my words devour the spirit of man. Truth destroys the reason. It is not quite correct to say that truth destroys reason. The impact of a new datum upon one’s existing concept of the Universe destroys the nice house of cards which we had built, and may cause anguish, mental perturbation, and so forth. But reason is nothing but the faculty of integrating data, and if the mind iwthstands the shock it soon starts the process of building a new frame of reference which should include the new fact introduced into our consciousness. Reason, in the sense decried in Liber AL, indicates a mental structure which makes of this organic integrator of ours the core and source of our consciousness. This kind of insanity is not as difficult to occur as it seems, if your consider that the infusion of spiritual levels of energy in the Lower Manas may mislead a careless thingker into believing that he is functioning in Buddhi Manas when he is merely wallowing in an over-energized Lower Manas. The qabalists indicate this possibility of error by englobing both Lower Manas and Buddhi Manas in their concept of the Ruach. As long as Daath remains fluid, ever-changing, ever-integrating, ever transmitting and receiving, there is no danger. The minute it becomes static and remains so, there is danger, no matter how beautiful the crystal may be. Bno static view of the Universe, no matter how ample and how glorious, can be valid. For the Universe is a living thing, and is continually changing. 15. I breathe, and there is infinite dis-ease in the spirit. Life distrubs the placidity of the mind's acceptance of dead symbols as reality. 16. As an acid eats into steel, as a cancer that utterly corrupts the body; so am I unto the spirit of man. The Knowleldge and Conversation of the Holy Guardian Angel gives a new and higher form of energy which destroys the grosser types of existence. 17. I shall not rest until I have dissolved it all. The process continues until complete. 18. So also the light that is absorbed. One absorbs little, and is called white and glistening; one absorbs all and is called black. Phenomena result from resistance to ``love.'' Perfect union is silent. In one very important sense A.C. means here that the more dramatic and catastrophic a samadhi is, the less perfect it is. True union is unconscious, effortless; to put it in Taoist language, it is the Way of the Tao. A very noticiable samadhi is indication that the parapsychosoma involved is not familiar with the higher plane of existence from which the energy is being instilled. As is gradually adjusts to its new level of existence the samadhi becomes less intense and eventually seems to disappear completely. The Lower Manas frequently becomes disturbed right then: ‘Eli, Eli, lama sagacthani?’ But what actually happened is that the Angel’s energy went "underground"—that is, penetrated the subconscious. Only then can you really say that a particular Trance haas been conquered. If the Lower Manas takes the trouble to analyze behavior, day by day, it will soon realize that the total man no longer reacts to the same stimuli as it used to in the past. An initiation into a new attitude toward life has been undergone. In another, and equally important sense, the verse warns claivoyants against a very common mistake: That of thinking that a shiny aura necessarily indicates spiritual advancement. This depends on the highest plane at which the clairvoyant is sensitive. Energy impinging from the plane immediately above may quite simply appear "black" to the inner eye. Since clairvoyants seldom have any sense of perspecitve—or ego control, if you prefer—they seldom discount their own limitations as observers. Hence, for instance, ‘Bishop’ Leadbeater’s glowing descriptions of the auras of ‘mahatmas’. Still another important sense, also useful to clairvoyants, is when you are (asoccasionally happens) witness to an initiation from the inner planes. The more perfectly the initiate is agble to make contact with the spiritual force involved, the less his aura will shine. In the best instances, at the crowning momentof the initiation the initiate becomes invisible to other eyes. It is as if he had become envoloped in a cloud of total darkness. You do not even ‘feel’ his presence anymore. 19. Therefore, O my darling, art thou black. 20. O my beautiful, I have likened thee to a jet Nubian slave, a boy of melancholy eyes. 21. O the filthy one! the dog! they cry against thee. Because thou art my beloved. 19-21 V.V.V.V.V. being perfectly Adeptus Minor appears evil. The problem is the same as with those clairvoyants mentioned above. When they see a ‘black’ aura, it does not occur to them that maybe radiation is occurring beyond their level of perception. To do so would be humiliating to them, since it would admit an implicit inferiority. The sensitive capable of such an admission wuld be well on the way of transcending his then limitations and of passing into a higher level of being. The subconscious antagonism is very real, and lower intitiates, as a rule, resent and fear the Adept. They are incapable of understanding, for instance, how a man can be sublime enough to oproduce, say, the Renaissance, and at the same time gross enough to want to fuck their wives (if you point out to them that this desire is a simple corrobration of their good taste in wives, therefore a compliment, they don’t get mollified). We have—thank the Adepts!—become tolerant enough, the great majority of us, to live with our little penises. But we still ge incensed at the bigger penises of our neighbors. Fean and hatred in the Ruach result from a psychological perception of personal inferiority. Of course, this inferiority is illusory, and would be dispelled by Adepthood. But often the man sulks foolishly, stamps his foot, and refuses to become an Adept. In such cases the initiator has no alternative but to strike hard and low, and to hell with them, master! 22. Happy are they that praise thee; for they see thee with Mine eyes. Those who understand all this Work praise V.V.V.V.V. Those who praise an Adept, instead of condemning and persecuting him, have reached an equivalent level of insight. They see from the perspective Tiphereth, not from any lower perspective. 23. Not aloud shall they praise thee; but in the night watch one shall steal close, and grip thee with the secret grip; another shall privily cast a crown of violets over thee; a third shall greatly dare, and press mad lips to thine. 24. Yea! the night shall cover all, the night shall cover all. 23-24 They do so in secret ways. The reason for the secrecy is simple. The Inner College of the A.’.A.’. has a much stronger influx from the Supernals than the Outer College, necessarily. Therefore its Magickal Energy is most intense. Yet, for all its sublimity, the Inner College is below the Abyss, and subject to the laws of Duality and Glamour. The so-called "black Brothers" and their currents are therefore easily attracted by any demonstration of the Inner College’s energy, and interference is intense here—more intense than at the lower levels. Silence and secrecy are therfore of the essence. The ancient so-called "Rosicrucians" ahd one single solitary rule for the outer world: they were not to be known as "Rosicrucians". Likewise, a prudent Adept will veil his energy and his works with the utmost secrecty. As far as possible he will keep his operations sub rosa—if you will pardon the pun. It is not possible to escape interference altogether, since you have crossed that Veil on one side of which is written ‘No Separate Existence’ and on the other side of which is written ‘No Existence’. The very fact that you are alive, radiating, is enough of a provocation to the "Black Brothers". If, however, you can keep them from identifying the flesh from which your are working, and best of all, if you can keep them from perceiving what you are trying to do, you will reduce most of their interference to a negligible level. Thus in A.C.’s novel Moonchild a magickal operation is conducted on two levels at once, but only one level is meant to attract the attention of the opposition and does; therefore the other level accomplishes its purpose without interference. Normally, magickal operations are not conducted in such a way. Interference with any kind of operation, however, is very common. There are here several factors apparently complex, but ultimately very simple, which hinge on the nature of that great ‘devel’ Choronzon of which all "Black Brothers" are mere instruments. Crown of violets—the violet is purple, a Thelemically important color, and grows best in hidden places, under cover of other plants. Much of the symbolism of LXV is homosexual. This perhaps due to the sex of the Writer’s body, since the Marriage that takes place in Tiphereth is that of the soul as a bride to its god. Be that soul incarnated as a male or a female at the time, its formula is feminine in thei Operation. Feminine reactions and attitudes are more naturally expressed if the body occupied at the time is female; but for some kinds of Orgia, in such cases, other difficulties arise. In the case of the Magus of an Aeon, for instance, the work could hardly be done without the possession of the physical image of the Creative Power. 25. Thou wast long seeking Me; thou didst run forward so fast that I was unable to come up with thee. O thou darling fool! what bitterness thou didst crown thy days withal. Perdurabo hindered his own success by over eagerness. A virtue not very common among Adepts, who usually feat the Angel at least as much as they aspire to Him, and therefore dance like crabs along the way. But Perdurabo has always been an exceptional Star.
26. Now I am with thee; I will never leave thy being. 27. For I am the soft sinuous one entwined about thee, heart of gold! 26-27 Union once made is permanent. 28. My head is jewelled with twelve stars; My body is white as milk of the stars; it is bright with the blue of the abyss of stars invisible. The Angel is crowned with the Zodiac. His body is that of Nuit. In this verse it is emphasized that the Spiritual Being mentioned as "Angel" here is in reality above all the so-called Angelic hierarchies in depth of perspective. We are not dealing with a planetary, or even with a starry nature. The Angel cannot be connected with a particul Sign of the Zodiac, as human beings can. No: his nature is cosmic. He is identified with our own Galaxy, the Milky Way; but it is pointed out that his power is somehow connected with our Sun, since the Zodiac exists only from the point of view of Sol, of course. Thus, we are dealing with a Being beyond us, yet of our own kind, in a sense. He is "of us". See AL I.60. 29. I have found that which could not be found; I have found a vessel of quicksilver. Stability has been found on a basis of change. 30. Thou shalt instruct thy servant in his ways, thou shalt speak often with him. Seems an injunction to the Holy Guardian Angel to keep in close touch with the Adept. Not so; it is an injunction to the Adept to keep in close touch with the "scribe"—his physical instrument of manifestation. The injunction comes from the Angel. Adepts frequently dislike going down into the filthy mud of matter to instruct that blind creature of slime from which they emerged as butterflies from a cocoon. This kind of attitude, carried too far, makes for "black brotherhood" on the Adept’s part. This subject has been treated at great length by many different systems. 31. (The scribe looketh upwards and crieth) Amen! Thou hast spoken it, Lord God! The Adept accepts this as a definite promise. In this note we see the essetnial spiritual humility of Aleister Crowley, to whom the Adept was but the scribe to his Angel. But the verse says scribe, and means scribe: that syndrome linga sharira + sthula sharira+ prana + kama + manas of which we have already spoken. Naturally the scribe jumps to the occasion and upholds the Angel’s decision. The worst mistake that a spiritual nature may do is to despise or neglect "material’ and "animalistic" things. Man, the great beast of the fields, is on this planet and at the present time the Crossroasd or Creation: the being which unites angel (do not confuse with the H.G.A.) and beast in one sole nature, the being where the Four Elemental Forces are to be harmonized, under the influence of Akasha, into the pentragram. It is the god suspendecd on the cross. Should the Initiate neglect and scorn that lower (but is it lower, from thepoint of ivew of the Infinite Abyss of the Void? For then what is up? what is down? what is above? what is below?) part of the sphinx whereon he rides, by that much neglect will be become less well-served by those faculties thereby represented. And since, so far as we now are able to perceive, the purpose of evolution is the spiritualization of blind matter, by that much neglect will he turn against the cosmic tide. "My adepts stand upright, their head above the heavens, their feet below the hells." Liber XC 40. 32. Further Adonai spake unto V.V.V.V.V. and said: 33. Let us take our delight in the multitude of men! Let us shape unto ourselves a boat of mother-of-pearl from them, that we may ride upon the river of Amrit! 32-33 Proposal to view phenomena from the new standpoint. 34. Thou seest yon petal of amaranth, blown by the wind from the low sweet brows of Hathor? 35. (The Magister saw it and rejoiced in the beauty of it.) Listen! 36. (From a certain world came an infinite wail.) That falling petal seemed to the little ones a wave to engulph their continent. 34-36 Two points of view: as a girl's smile involves the death of many cells in her body. 37. So they will reproach thy servant, saying: Who hath set thee to save us? The above explains why men should resent their savior. They misinterpret his acts as destructive. And, ofr course, quite often they are right. If you are going to build a new house, you must first raze down the old one. The Magus destroys with the dagger; the more skilful He is, the better He wields this weapon. A.C. ;himself, chipping away at a piece of wood in his reitrement in Lake Pasquaney, sufdenly ralized how the work of destruction can result in creation: you chip away your material so that your vision takes shape in what is left. But certainly you chip away. And the chipped-away material has every right to howl. Of course, so do you have every right to chip! There are several other meanings to the verse, all of them most subtle and most wise. We would call the attention of Major Adepts, for instance, to the unusual verbal construction of the question. 38. He will be sore distressed. He in his human mind, is distressed at this. The "servant"is, of course, the "scribe", that is, the initiated instrument of flesh. 39. All they understand not that thou and I are fashioning a boat of mother-of-pearl. We will sail down the river of Amrit even to the yew-groves of Yama, where we may rejoice exceedingly. 40. The joy of men shall be our silver gleam, their woe our blue gleam -- all in the mother-of-pearl. 39-40 But the whole relation is allusion. In reality the Angel and the Adept are simply arranging to sail through eternity together; the Work of the Adept in redeeming Mankind is only an image seen as he fashions his mother-of-pearl. Well, not quite. The relation is very real: only, on the plane of men the Adept seems to be busy "saving" mankind; on the plane where the river of Amrit flows, he and his Angel are fashioning a boat of mother-of-pearl. The boat, besides being a female symbol, is a symbol of the persistence of life through generations. Mother-of-pearl is the substance that gives origin to the pearl, which is sacred to the Moon and to Binah. Mother-of-pearl indicates therefore She who is the Mohter of Binah, that is to say, Nuit. The supposed process of "salvation" of mankind is therfore a magickal process of immortalization, or perpetuation, of that complex of energies which we call the Adpet. To go deeper into this subject at present would be to foster speculation and fantasy in the inexperienced. Suffice it to say that this whole process is quite commonplace. All adepts go through it. We refer serious students to AL II.44. 41. (The scribe was wroth thereat. He spake: O Adonai and my master, I have borne the inkhorn and the pen without pay, in order that I might search this river of Amrit, and sail thereon as one of ye. This I demand for my fee, that I partake of the echo of your kisses.) 42. (And immediately it was granted unto him.) 41-42 The human mind demands to be relieved of its sorrow by seeing Nature in this light on the ground that it has served the Masters with unselfish devotion. Nonsense! The human mind demands the reward for which it has been willing to bear the inkhorn and the pen without material reward. Its devotion has been entirely serflish, but intelligent. Else the mind would be unsound. It is a lie, this foly against self. We do not serve the Masters becausxe we are slaves who will to serve. We serve them in order to learn their "secrets" and become Masters ourselves. (They have, in reality, no "secrets". Their only secret is their greater awareness and experience. By serving them, we increase ours.) The scribe in the verses, indignant upon realizing that the Adepts are not really "saving" anybody but themselves, demands the fulfilment of his contract. The accounting is immediately done, for the Masters, unlike "black brothers", pay their debts. 43. (Nay; but not therewith was he content. By an infinite abasement unto shame did he strive. Then a voice:) The mind demanded complete relief. Not so: complete initiation. It is absed in shame because it realizes how gross and perceptionless it is compared to the Angel and its Master (the Buddhi-Consciousness). 44. Thou strivest ever; even in thy yielding thou strivest to yield -- and lo! thou yieldest not. 45. Go thou unto the outermost places and subdue all things. 46. Subdue thy fear and thy disgust. Then -- yield! By "everything possible" is meant the "outermost". This refers to the outermost boudaries of consciousness, which of course includes the microcosmic qliphoth. It is a well-known fact that we do not know the external universe, we know only the reaction produced in our consciousness by the contact of our "ego"—the Ahamkara—with it. This contact is constantly shifting, and the Ahamkara itself is a living,that is, a dynamic, thing. The Universe includes "demons", elementals, larvae, "shells" of the Qabalists—it includes, indeed, all kinds of very nasty things of which we are not usually aware, for we rarely take the trouble of extending consciousness to the outposts of our being. Yet, intelligence—in the sense of efficient communication—is one of the priorities in a successful army. Our consciousness is a Legion, but unless this Legion is disciplined and has a General in command, we are victims of some form of insanity or another. And if parts of our Legion are under our control, but we are not even aware of the existence of others, it cannot be said that the Commander is truly a General. The General commands all. All this is connected with the legend that the Christ-consciousness—the Adept—has to go down int o hell. The forces which are storng enough, gross enough, insensitive enough—and yet sensitive enough at the same time—to sustain our contact with the external Universe partake, of necessity, of the nature of this external Universe. Thus the "pagans" and "godless" and "demons" which inhabit the boundaries of the Circle of the Magician. The circle must expand continuously, and control over environment is the aim of the Master. He must subdue all things—including his fear and his disgust of the most external things. Only when he is the true Commander of himself—the true Master of the Temple—is he qualified to yielf to the Angel. His expansion of consciousness is always in direct proportion to his extent of self-control. Thus it can be perceived that any Initiate who becomes static is undergoing a psychic state similar to that of the "black brothers". Usually, however, the Enemy—the external Universe—soon comes to strike his shield and defy him to mortal combat in the eternal Comedy-Tragedy of Pan. If this does not happen—and sometimes, in the Play of the Waters, a twig may remain stationary for a season (see Liber Aleph, 166)—then the Initiate may temporarily become like a "black brother"indeed. The only difference will be in the telepathic influence—if any! 47. There was a maiden that strayed among the corn, and sighed; then grew a new birth, a narcissus, and therein she forgot her sighing and her loneliness. 48. Even instantly rode Hades heavily upon her, and ravished her away. 47 -- 48 Persephone, the earth-bound soul. Corn = material nourishment; its result is sorrow. Narcissus = the sexual instinct flowering as Beauty. Instantly the soul forgets the ``corn'' and desires the flower, Hades comes and carries her off. Hades is the lord of ``Hell,'' i.e., the dark and secret but divine Soul within every man and woman. The rape thus means that the desire for Beauty awakes the Unconscious Self who then takes possession of the Soul, and enthrones her, only allowing her return to earth (Knowledge of the material worldl) at certain seasons, in order to attend to the welfare of mankind. 49. (Then the scribe knew the narcissus in his heart; but because it came not to his lips, therefore was he shamed and spake no more.) I was seazed by the impulse to adore Beauty, and felt ashamed at my inability to write a poem on the spot which should be worthy of the theme. Nevertheless, this is exacty what he was doing then, writing LXV! But of course, it was not the scribe who was writing it…Or so the scribe thought. This kind of seesaw effect is characteristic of the operation of the Ahamkara, or Ego-making faculty, and must be carefully studied. See and compare LXV I.23-26. 50. Adonai spake yet again with V.V.V.V.V. and said: The earth is ripe for vintage; let us eat of her grapes, and be drunken thereon. 50-58 An elaborate Parable in dialogue. 50 The Angel bids the Adept rejoice in certain events which are about to occur on earth. 51. And V.V.V.V.V. answered and said: O my lord, my dove, my excellent one, how shall this word seem unto the children of men? The Adept doubts whether his doctrine will be understood rightly by mankind. 52. And He answered him: Not as thou canst see. It is certain that every letter of this cipher hath some value; but who shall determine the value? For it varieth ever, according to the subtlety of Him that made it. The Angel agrees; but is more sceptical still, suggesting that any event may be taken as meaning anything one chooses. Not exactly this: The Agnel rather intimates that messages produced from certain levels of consciousness are unviersal in character, and can be translated by the listener into terms related to his or her own from a of reference without thereby diminishing their basic meaning or import. Such is the case with all A.’.A.’. publications in Class A. 53. And He answered Him: Have I not the key thereof? I am clothed with the body of flesh; I am one with the Eternal and Omnipotent God. The Adept claims to be able to interpret phenomena rightly; that there is one special relation which is true, and all others falso. He reminds the Angel that he realises Himself (as an unique Being always identical with Itself) alike in the lowest matter and the highest spirit. As we can see, Masters (note the use of the capital H in both pronouns and compare with 52) are not any more immune to the symptoms of the Ahamkara than any other kind of human being. It is as if Picasso, indignant, protested that his pictures had only one legitimate meaning: the meaning that he himself found in them. Of course, the Angel soon puts his client right. 54. Then said Adonai: Thou hast the Head of the Hawk, and thy Phallus is the Phallus of Asar. Thou knowest the white, and thou knowest the black, and thou knowest that these are one. But why seekest thou the knowledge of their equivalence? The Angel asks why one who possesses absolute Sight and Lordship and power to soar (the Head of the Hawk) who has creative energy able to fertilize Nature, his mother, sister, and wife (The Phallus of Asar) one who knows the paris of opposites, and the fact of their identity, should trouble to calculate the equations which express the relations between the illusory symbols of diversity. 55. And he said: That my Work may be right. The Adept replies that he must understand the laws of illusion in order to work in the world of illusion. Not exactly: please note the lower-case h of the pronoun. Here it is no longer the Adept consciousness, the Master consciousness, speaking: it is the mere initiated man, ego hurting, who wants to keep his cake at the same time that he eats it. His explanation is a mere rationalization of his frustration at the fact that apparently he has no control over his own work. 56. And Adonai said: The strong brown reaper swept his swathe and rejoiced. The wise man counted his muscles, and pondered, and understood not, and was sad. Reap thou, and rejoice! The Angel replies that such calculations lead odne to believe in the reality of the illusions, to become confused by their complex falsities, and ultimately, mistrusting one's own powers, to fail to act for fear of making mistakes; whereas it does not really matter what one does, since one set of illusions is just as good as another. The business of the Adept is to do his Work manfully and joyously, without lust of result or fear of accident. He should exercise his faculties to the full; the free fulfilment of their functions is sufficient justification. To become conscious of any organ is evidence that it is out of order. Actually, the point made is: Do what thou wilt. The scribe is merely sulking, he is not really interested in the equations, as another star might be. Her serves a Magician, not an Accountant. 57. Then was the Adept glad, and lifted his arm. Lo! an earthquake, and plague, and terror on the earth! A casting down of them that sate in high places; a famine upon the multitude! The Adept takes this advice, and puts forth his energy. The apparent result of his Work is disaster. Not so: this is the preliminary razing of the old house ere the new one can be built. The last two world wars are but preliminary to the establishment of the Law of Thelema upon the earth. 58. And the grape fell ripe and rich into his mouth. But the whole idea of his relation with Mankind as a Redeemer proves phantasmagoric. The truth of the matter is that he has ``eaten a grape.'' i.e., begun to enjoy the banquet with his Angel proposed in Verse 50. (Cf. CCXX I.31) The relationship of the Adept to mankind as Redeemer is not phantasmagoric on this plane. He is a Redeemer; he is the new Christ. But on the plane of the "river of Amrit" he and his Angel are merely fashioning their boat of mother-of-pearl. These two "truths" are not exclusive; in fact, the existence of one depends on the existence of the other. 59. Stained is the purple of thy mouth, O brilliant one, with the white glory of the lips of Adonai. Every act of the Adept is really the kiss of his Angel. Not exactly what is meant here; for the purple of the grape juice on the Adept’s lips is stained with the white glory of the lips of the Angel. Better say that every magickally creative act of the Adept is energized or guided or aided by the spritual energy of his Angel. See LXV III.13-17 and the comments thereon. 60. The foam of the grape is like the storm upon the sea; the ships tremble and shudder; the shipmaster is afraid. The ecstasy of the relation between the Adept and his Angel disperses ``normal'' thoughts; the Ego fears to lose control of the course of the mind. This (of course) occurs in a less real sphere, that of normal consciousness. The Ego is justly apprehensive, for this ecstasy will lead to a situation when its annhilation will be decreed so that the Adept may cross the Abyss and become a Master of the Temple. Remember that the Ego is not really the centre and crown of the individual; indeed the whole trouble arises from its falso claim to be so. 61. That is thy drunkenness, O holy one, and the winds whirl away the soul of the scribe into the happy haven. The ecsatsy of the Knowledge and Conversation of the Holy Guardian Angel brings peace to ``the soul of the scribe'' (his conscious mind) by impressing such energy on his thoughts that their normal conflict (which causes sorrow) becomes negligible, just as the personal antagonisms in a cavalry regiment are forgotten in the excitement of a charge. 62. O Lord God! let the haven be cast down by the fury of the storm! Let the foam of the grape tincture my soul with Thy light! But the mind, knowing that the old quarrels will revive when the ecstasy has passed, asks that this anesthesia may be removed. It aspires to enter into the rapture with every element of its being, no matter of the pain. It knows that it can never be truly content until each separate fibre thrill harmoniously to that supreme enchantment. 63. Bacchus grew old, and was Silenus; Pan was ever Pan for ever and ever more throughout the eons. It knows that the lower types of intoxication were excitements, and in stupor and senility. It demands the Madness of Pan, the building up of every particle of its being into a single symbol to include All. This symbol is to combine the intelligence (omniscience) of Man with the omnipotence typified by horns, and the creative rapture of the leaping Goat. This Pan is not intoxicated, but wholly insane, being beyond distinction (knowledge) as including all in itself; he is also immune to time, since whatever happens can only be within himself; that is, all events are equally the exercise of his functions, and therefore accompanied by rapture, since He has included all possibilities in His unity so that any change is part of His life, an act of love under will. 64. Intoxicate the inmost, O my lover, not the outermost! This is presumable once more the voice of the Angel. He bids the Adept pay less attention in the future to the transmutation of gross impressions into the raptures of union. The greater work is to cause the Unconscious to interpenetrate with the Angel. For such is the ultimate Sacrement is only too liable to be contented with the conscious joy of causing just those thoughts which have always been the source of error to glow with purity and splendour at the touch of the Angel. But it is far more important to renounce those rewards, ineffably holy and delightful though they be in order to perfect the Inmost Self, to purge it of personality and unite it with the Universe, though such Attainment lie too deep for direct conscious apprehension. In short, go to the outermost places and subdue all things, then yield—and intoxicate the inmost. 65. So was it -- ever the same! I have aimed at the peeled wand of my God, and I have hit; yea, I have hit. In a secret code the Adept affirms that he is of the same vox; (so to speak) as his Angel. It is not a union of opposites to produce a Tertium quid, but a realization of identity, like the return to consciousness from delirium, whose ecstasy bears no fruit involving new responsibilities, new possibilities of sorrow, but is all-sufficient to itself, with neither past nor future. The ``peeled wand'' is the creative Energy of the Angel, stripped of all veils, pointing to the Zenith, ready and eager to act. The Adept exclaims with joy that he has aspired to unite himself with this Idea, and has attained. Thus concludes the description of the relations of the Adept and his Angel so far as the element of Earth, the concrete and manifest aspect of Nature, is concerned. The whole illusion has been destroyed; the bread has become the body of God. Yet this is but the lowest form of existence; in the next chapter we shall understand how the mind -- as distanct from the matter of thought is concentrated and sanctified by the Magick of the Adept. In short, by induction, spiritual puberty was achieved. The Angel is bi-sexual, or better, omni-sexual. He is a cosmic, or if you prefer, macrocosmic being. In it highest sense, of course, Pan is Nuit. Thus concludes the description of the relations of the Adept and his Angel so far as the element of Earth, the concrete and manifest aspect of Nature, is concerned. The whole illusion has been destroyed; the bread has become the body of God. Yet this is but the lowest form of existence; in the next chapter we shall understand how the mind—as distince from the matter of thought—is concentrated and sanctified by the Magick of the Adept.
Chapter II
The previous chapter describes the effect wrought by the Knowledge and Conversation of the Holy Guardian Angel upon the outward appearances of things and the sensations caused and the corresponding part of the Soul, Nephesch.
We now turn to the element of Air, the faculties called Ruach, that is, the mind considered as an instrument of intellectual apprehension, a machine proper to the analysis of impressions and their interpenetration in terms of conscious thought. The Work of attaining to the Knowledge and Conversation of the Holy Guardian Angel being in Tiphereth, the Centre of the Ruach, the result of success is to harmonise, concentrate, and glorify the medley of loose ideas which are suggested by the meaningless multiplicity of mental concepts. 1. I passed into the mountain of lapis-lazuli, even as a green hawk between the pillars of turquoise that is seated upon the throne of the East. Describes the passage of the Divine Consciousness (the Hawk) coloured by love (green) into the world of starry space (lapislazuli, which is blue with specks of gold) by a balanced path from earth to heaven (the pillars of turquoise). The East is the quarter attributed to Air, and the Hawk is there ``seated,'' i.e. stable, not to be distracted by whatever thoughts arise in the mind. The Hawk here, however, does not represent the Divine Consciousness: it is the magickal Self, which includes all parts of the complex sthula-linga-prana-kama-manas which the Magician ahs already been able to "bring to order". 2. So came I to Duant, the starry abode, and I heard voices crying aloud. Being now open to the whole Universe, the Soul hears whatever is spoken. (Air is the vehicle of sound). To mix metaphor with objective scientific information is sometimes dangerous. Air is not the only vehicle of sound, and any way, in the mystical symbologyof the elements, hearing is referred to Akasha. We might say, therefore, that here is spoken of Akasha Vay, Sub-Element of the Elemetn of Air which is, so to speak, the Root of emotions are referred to Water. But of course thought and emotion, in what they intereact, partake of the nature of both, and sometimes more, Elements. It must always be kept in mind—if you will pardon the pun—that this Chapter refers to mind from the point of view of Spirit, that is, from the point of view of Initiation. 3. O Thou that sittest upon the Earth! (so spake a certain Veiled One to me) thou art not greater than thy mother! Thou speck of dust infinitesimal! Thou art the Lord of Glory, and the unclean dog. A ``Veiled One'' (Isis) explains that no individual consciousness can be more than the sphere of which it is born and which constitutes its environment. It is equally supreme and vile, these qualities being illusions produced by artificial relations, which may be chosen at will. May be chosen at will before incarnation, and even then within limits. After incarnation, you are bound by your genetic limitations. You can do much, as in Initiate; but you are limited by your inherited combination of chromosomes. This is one of the many reasons—all of them selfish, We assure—why the Adepts are continuously trying to improve mankind. The4 healthier, subtler, more complex combinations are asvailable, the greater the chances of expansion. Samadhi experienced by the brain of a 75 IQ is not the same as that of a brain of 300 IQ. Even if it happens to be the same kind of samadhi. You can’t make a silkpurse out of a sow’s ear. But you can make a beautiful purse out of pig leather, if you are skilful, and the pi8g healthy enough before death. In short, you must work with the material at your disposal, you must accept the fact that this material is basically an animal, and you must never make the mistake of denying or mortifying or restricting the beast in you. It must be trained, not broken! 4. Stooping down, dipping my wings, I came unto the darkly-splendid abodes. There in that formless abyss was I made a partaker of the Mysteries Averse. The Godhead, in order to realize itself, must involuntarily submit to undergo the experience of imperfection. It must take the Sacrament which unites it with the dark glamour of ``Evil,'' the counterpart of that which exalts the ``Sinner'' to Godhead. The concept of God coming down into matter in order to "redeem" it is false, connected with the psychological hiatus between Chesed and Binah. The fable of the Fall was invented to explain why man is so unfortunately constituted (from the point of view of lazy men, of course), and to uphold the Father-Image at any cost. In reality, the hiatus is due to the fact that man is a Spirtual entity quickening the body and mind of na animal. There is no physiological connection in the brain between the faculties called the Supernals by the Qabalists and the highest faculty of the homo saps: Chesed. Daath is therefore an artificial construct (again th Ahamkara) with the purpose of making possible integration between the God and the man. Its inefficiancy is cdue to its very recent apparition. All the faculties related to the higher Manas and to Buddhi-Manas are liable to confusion and error at this stage of evolution, becdause they are new, and still at the experimental stage. And the lower faculties, left to themselves, work well from a worldly point of view: the man (or woman) is happy, contented, prosperous, and dead to the higher life. As soon as the higher faculties become active, happiness of this sort disappears. The man, no maltter how brilliant, proves incapable of providing his own living or that o fhis family; becomes "anti-social" and quite often ends up oin prison or in the asylum. In the land of the blind the one-eyed man had better run for his life. Check Liber VII II.27-33. The purpose is to create a human type capable of living the higher life while in the body of flesh, and doing it without trouble, perturbation or unnecessary pain. This purpose may take Us a few hundred thousand years yet to accomplish, but that is Our program. Until then. Why then does God come into matter? To enrich His-Her-Its Experience. And this enriching of experience is basically a selfish impulse. We are not trying to "save" man. Dammit, We are man. Without Us, there is only the monkey and the blind thing of slime here, as LXV itself wil make clear later on. 5. I suffered the deadly embrace of the Snake and of the Goat; I paid the infernal homage to the shame of Khem. It accepts the formulae of: (a) Duality,i.e., life as vibration. (1) Death. (2) The illusion of Knowledge. (b) Exile. (1) The Hunger of Lust. (2) Labour. It acquiesces in the shame of being a God concealed in animal form. 6. Therein was this virtue, that the One became the all. The object of this act is to realize the possibilities of one's unity by representing its wholeness as an infinite number of particular cases, just as one might try to get an idea of the meaning of ``poetry'' by studying all available poems. None of these can be more than one imperfect illustration of the abstract idea; yet only through these concrete images can one get any understanding of what it means. 7. Moreover I beheld a vision of a river. There was a little boat thereon; and in it under purple sails was a golden woman, an image of Asi wrought in finest gold. Also the river was of blood, and the boat of shining steel. Then I loved her; and, loosing my girdle, cast myself into the stream. 7-16 The river is the stream of thought. The boat is the consciousness. The purple sails are the passions that direct its course, and the woman is the pure Ideal which one seeks to make the constant occupant and the guiding principle of one's conscious life. Thus ``woman'', though of gold, is only a lifeless image. The river is of blood; that is, the current of thought must be identified with the object of one's like, not a mere medium for reflecting every casual impression. 7 The boat is of steel; that is, the consciousness must be able to resist the intrusion of all undesired thoughts. Loving this ideal, the Aspirant frees himself from all that binds him (shame, selfishness, etc. -- ``loosing my girdle'') and loses his ego in Thought itself (cast myself into the stream). 8. I gathered myself into the little boat, and for many days and nights did I love her, burning beautiful incense before her. He identifies himself with pure consciousness, immune from, yet floating upon, the course of Thought, and devotes himself to this Ideal, with poetical and religious fervour. 9. Yea! I gave her of the flower of my youth. He consecrates his creative energy to the Ideal. 10. But she stirred not; only by my kisses I defiled her so that she turned to blackness before me. This process destroys the superficial beauty of the Ideal. Its purity is corrupted by the contact of mortality. 11. Yet I worshipped her, and gave her of the flower of my youth. Despite the disappointment, the Aspirant persists in ``love under will''. He gives himself up utterly to Truth, even now when it seems so dark and dreadful. 12. Also it came to pass, that thereby she sickened, and corrupted before me. Almost I cast myself into the stream. The Ideal now breaks up into loathsome forms, no longer recognizable as the object of his love. He is tempted to abandon her, and to seek refuge from Consciousness by drowning himself in those distracting thoughts which surround him. 13. Then at the end appointed her body was whiter than the milk of the stars, and her lips red and warm as the sunset, and her life of a white heat like the heat of the midmost sun. This despair suddenly vanishes. His ideal appears in its true form, a living woman instead of a dead image of gold. He substance is now purer than starlight itself; her lips -- the instruments of her speech and her caresses -- are full of life and warmth as the sunset -- i.e., they promise repose, love and Beauty (Hathor, goddess of the West). She is alive with the pure energy of the centre of the system to which the Aspirant belongs; i.e., she is the realization of the creative idea of which he has till now been only one part. 14. Then rose she up from the abyss of Ages of Sleep, and her body embraced me. Altogether I melted into her beauty and was glad. The darkness of the past disappears as his Ideal possesses the Aspirant; and his Ego dissolves in the ecstasy of union with Her; he becomes the essence of all Joy. 15. The river also became the river of Amrit, and the little boat was the chariot of the flesh, and the sails thereof the blood of the heart that beareth me, that beareth me. Now then do his thoughts themselves become immortal; his consciousness is understood to be the vehicle of his physical life -- instead of vice-versa, as the uninitiate supposes. His passions are no longer symptoms of discontent, but identical with his individual life. There is thus no conflict with Nature. The Will is itself the Self. This is of course a description of Integration, or Initiation. Also, however, the whole operation is viewed from another plane, and according to another possbile formula of Attainment—not the one of the Savior-Adept, of course. In each aeon there is an Adept who is schosen to the Christ of the aeon. In this aeon, he is TO MEGA THERION, 666, who was incarnated as Aleister Crowley. The choice is karmic, that is to say, cosmic. The Adept is chosen because the complex of energies which he represents harmonizes best with the cosmic complex of energies which provides the magickal currents of the aeon. He is, of course, the Magus of the Aeon. 16. O serpent woman of the stars! I, even I, have fashioned Thee from a pale image of fine gold. My own conception of Nuit is the result of the Magical Operation which I performed to give life to the ideal which I originally had in my heart, adored, and resolved to realise. The whole passage describes the process of dealing with any given idea so as to bring it to perfection. 17. Also the Holy One came upon me, and I beheld a white swan floating in the blue. 17-26 The swan is the ecastatic Consciousness of the Adept. It is poised in infinite space, supported by Air -- i.e., the medium of thought. The Holy One came upon me" is an expression with double meaning. In a sense it means, "I was taken up in samadhi". In another sense it means that the consciousness of the Angel, or guru (a lower case, but he expression is common in Hindu mysticism), enveloped the Adept, or the chela, thereby stimulating the lower mind into spiritaul perception. The effect of this "overshadowing" depends entirely on the level of development of the overshadowed. The more awake you are, the ampler the experience resulting from the interpenetration of your aura by the aura of the Angel. See Liber Samekh and the Scholia thereon. Do not, either, misunderstand the expression "overshadowed". It is not hypnotism or domination or possession, but rather a phenomenon akin to resonance, in which, if a violin vibrates near another, the cords of the other insturment will tend to vibrate also. 18. Between its wings I sate, and the aeons fled away. In Ecstasy time does not count. Rather say tha time flows at a different rate of speed. It counts, but according to anoter formula. 19. Then the swan flew and dived and soared, yet no whither we went. The Ecstasy moves from one sublimity of Joy to another; but there is no progress possible in perfection, therefore no aim to be attained by such movements. Again, this state is not "perfection". Perfection is a limit to which we tend, but the day we believe we reached it we are dead. Hence Goethe’s Faust and Mephistopheles. 20. A little crazy boy that rode with me spake unto the swan, and said: The boy is the human reason, which demands measurement as the first condition of intelligible consciousness. Aware of time, he cannot understand why all this motion has not brought the swan nearer to some fixed point, or how the relation of the point of origin to its present position is not an ever-present anxiety. He cannot conceive of motion without reference to fixed axes. The most interestin poin in this is the description of the human reason as "a little crzy boy". We have, therefore, a faculty that is very young and which has not yet become fully harmonized. 21. Who art thou that dost float and fly and dive and soar in the inane? Behold, these many fons have passed; whence camest thou? Whither wilt thou go? 22. And laughing I chid him, saying: No whence! No whither! I reply that, apprehending the continuum (Nuit) as such, no ``space- marks'' exist. It is utter folly to ask when the Universe began and when it will end, or to ask who created everything. We are mortal creatures, that is, creatures of vibration, and we perceive the external universe through our instrument of perception, which is vitiated by its own limitations. Why should things have had to be created? Why should they have to have a beginning or an end? Actually, the enegy which animates us in our short crawl over the surface of this planet (or our occasional jumps away from it) is not affected by the transmutations of our flesh. It has existed before we did, and will continue to exist after we no longer do. For us there is whence and whither, but if there is the same for it, it will be according to rather different parameters. All things are, and have always been, changing. There is no "Reason" to think that they not always will. Theories such as entropy are merely extrapolations of our own sense of finiteness. Actually, scientists are beginning to suspect that matter is continuously being created and dying all over the universe. Preceisely as human beings, not to say all other forms of life. 23. The swan being silent, he answered: Then, if with no goal, why this eternal journey? The swan is of course silent: Ecstasy transcends expression. Reason asks the motive of motion, in the absence of all destination. The swan has always been, in toe Orient, a symbol of samadhi. Hence the mystical title Paramahanse—the Transcendental Swan, that is, the mystic who has conquered Samadhi perfectly. 24. And I laid my head against the Head of the Swan, and laughed, saying: Is there not joy ineffable in this aimless winging? Is there not weariness and impatience for who would attain to some goal? The Adept bringing this thought closes to Ecstasy, laughs, both for pure joy, and as amused by the incongruous absurdities of ``rational'' arguments from which he is now for ever free, expresses his idea thus: Thus free exercise of some object thereby, it would imply the pain of desire, the strain of effort, and the fear of failure. It must be understood that the planes cannot be mixed. On the plane in which we normally live, that indeed where the ‘little boy’ holds sway, the pain of desire, the strain of effort and the fear of failure anore normal mind-kama states. It is the perception that they are relations, andot absolutes, that produces in Initiates that strange (strange to normal mankind, it must be understood) detachment that makes them sometimes laugh in situations where other men might cry. Nevertheless we must act, on this plane of the ‘little crazy boy’, according to the rules of the game, if we want to ‘win’ on this plane. This is also what was meant by the early ‘Rosicrucian’ injunction that the brethren were to adopt theclothes and the customes of the country in which they happened to be travelling at any time. 25. And the swan was ever silent. Ah! but we floated in the infinite Abyss. Joy! Joy! White swan, bear thou ever me up between thy wings! Ecstasy remains undisturbed. But the dialogue has caused the Adept to reflect more deeply on his state of bliss, so that the Ecstasy becomes motionless, realising its perfect relation to the Infinity of the continuum. The Adept demands that ecstasy shall be constant. 26. O silence! O rapture! O end of things visible and invisible! This is all mine, who am Not. Silence ends the imperfection implied in speech -- all words being evidence of duality, of a breach in Perfection. Rapture: the end of the conflict between any two things; they are dissolved by Love; and, losing the sense of the Ego which caused the pain of feeling its separateness from the All, its imperfection, the release from strain is expressed as rapture. ''O end of all things visible and invisible!'' This not only means that all things -- being imperfect -- are destroyed, but that this is their true end -- ;GREEK their perfection. ''This is all mine, who am Not.'' The Adept is now possessed of all things, being come to the state called ``Not'' which contains them all, and of which they are merely images. So long as he was a positive Ego, he was one of them, and opposed to them; they were not his. To make them his he must become the continuum in which all things exist potentially as members of any series that may be selected to illustrate any desired properties of its Nature. The state of ‘Not’ may also be defined as the Nuptials of Nuit and Hadit, or the awakening and interaction of Ajna and Shashara. 27. Radiant God! Let me fashion an image of gems and gold for Thee! that the people may cast it down and trample it to dust! That Thy glory may be seen of them. The Adept is moved to manifest the Godhead which he has beheld by means of poetry. He foresees that the vulgar will be enraged, despise his books and stamp them under foot; but by their thus acting, their eyes will be opened to the glory of the God. This may mean that my work may reawaken real religious fervour in those who have lost all faith and vision; their wrath against me will arouse them to realize that at the bottom of their hearts there is the instinct that they are spiritual beings. ‘That Thy glory may be seen of them’ is a phrase so awkwardly constructed as to be interpreted also as "That they may perceive that the glory they see is their own." This is obviously on purpose. Whenever a man says "I am God" he awakens the indignation of most of his fellows. They do not realize that this indignation comes from the fact that whether they worhsip a God or not, subconsciously they identify their own innermost nature with Godhead. The indignation actually means: "No, you sonofabitch, you can’t be God, because I am." Adepts are therefore usually prudent enough no to declare their divinity. Friedrich Nietzsche, who reached Tiphereth only through his own genius, unfortunately had not sufficient magickal training to be discreet, and went around acting and speaking like the incarnation of Dionysus that he was. As a consequence, he ended his days in an insane asylum. The same kind of fate greeted Ezra Pound and Wilhelm Reich among others. That such men were sent to insane asylums does not condemn them, but shames the society in which they happened to move. Ancient tribes, being closer to nature, respect madmen and say, rightly, that they are "possessed by the gods." Left strictly alone, and being treated with gentleness and respect, people passing through mystical trances of this sort will gradually equilibrate their divers planes of consciousness and achieve a state of integration much ampler than the one they had before, thereby enriching the life of their society. Indeed, this is true of most psychological disturbances. Hopeless insanity may be the result of going through a spiritual awakening amonst "normal" people—who are, most of them, totally insane (‘a little crazy boy’) as well as immature from the point of view of the Supernals. 28. Nor shall it be spoken in the markets that I am come who should come; but Thy coming shall be the one word. My religious work will not result in my bing acknowledged as the Redeemer: but men will admit that the Spirit of the Sun God Horus has breathed upon them and infused their clay with life. "Radiant God" is, of course, in any aeon, the God or Goddess ‘enthroned in Ra’s seat’, and here we are treating of problems of the Hierarchy. In any aeon there is Ra’s viceroy, a minister of Hoorpakraath (that is, a Hierophant of the Magi), and the Magus of the aeon (sometimes there is more than one, although this will not be the case in the present aeon), who is the Hierophant of the Masters of the Temple. We are, of course, using thelemic terms and dealing with thelemic classification. Therion is an Adept of such high order that He is not in the least interested in being acknowledged as Redeemer: he wants mankind to experience direct contact with the Supreme Hierophant, Heru-ra-ha in this aeon. Thelema has come to lift the human race to a degree hitherto undreamed of civilization and spiritual progress. Therefore he withdraws into being simply the Channel whereby normal consciousness may get in touch with that Radiating Force of the Spiritual Sun. (The viceroy, of course, stimulates Kether-consciousness.) 29. Thou shalt manifest Thyself in the unmanifest; in the secret places men shall meet with thee, and Thou shalt overcome them. Horus will be recognised as the explanation of all those energies of the Universe which we know must exist, although our senses cannot perceive them. Men shall perceive Horus when they explore the mysteries of Nature -- e.g., the Unconscious in Man, or the structure of the Atom. He shall compel them to admit that He is the ultimate principle underlying all manifestation, against their old theories. (The exact meaning of ``Horus'' in this passage must be drawn from CCXX Cap; III.) We are going a little too far here. Horus is not the ultimate principle underlying all manifestation: this principle is Nuit. Nevertheless, because of His position as Kether-Consciousness, He will lead scientists and artists into a greater perception of the Universe—a perception which will be naturally tinted by the cokmplex of energies that form the present Aeon of Aquarius-Leo, and tinted by the Nature of the God itself. He is, in Himself, a Star—gigantic in comparison to normal mankind, an Ipsissimus of the highest order. He is, also, the Absolute Monarch of Initiation in this Aeon. To go counter Him is the ultimate failure, and to disobey or disrespect Him is fatal. This is due to the enormous potential of energy concentrated around His work, of which He is the center and point of balance. To go against him is to lose yourself in a maelstron of forces which go nowhere and which will tear you apart. And yet—how dare they who dare touch their spear to this Shield! The God laughs His rapture, and proves Himself. AL I.28-30. ‘The secret places’—the innermost hiding places in their own souls, which they thought safe from perusal even by their own normal consciousness.
30. I saw a pale sad boy that lay upon the marble in the sunlight, and wept. By his side was the forgotten lute. Ah! but he wept. 30-36 The Boy is Ganymede, the eagle, the bird of Jupiter. Here he is an image of the Adept. 30 He is pale, as having given his blood to his Work. He is sad, as understanding the Sorrow of the Universe. (His Work has itself made him aware of this). He is lying down, as weary and in doubt whether it be worth while to work. He is on the marble; that is, the hard bare facts of existence, despite all polish, hurt his flesh. He is in the sunlight; he sees only too clearly into Nature. His Angel shines upon him, but from inaccessible heights. We weeps; he whose duty is to pour wine for the Gods, can but shed forth salt water upon the bare ground. He has laid down and even forgotten his lute. He cannot make music; he has even lost the memory that he could do so of old. 31. Then came an eagle from the abyss of glory and overshadowed him. So black was the shadow that he was no more visible. The Eagle symbolizes the influence of the Father of the Gods, also the highest form of Magical Life, and the Lordship of Air, i.e., power to rule the world of thoughts. This overshadows him so as to conceal his personality from sight. The Hawk, the Swan and the Eagle are cognate symbols of Air, but each with a different type of function. Check The Heart of the Master and the magickal formulae corresponding to these birds. To each corresponds a type of samadhi also. 32. But I heard the lute lively discoursing through the blue still air. Thus inspired, he resumes his music joyfully; the air itself becomes still, that is, no thoughts disturb him, and it is blue, being filled with the spirit of holiness, love and purity. 33. Ah! messenger of the beloved One, let Thy shadow be over me! The Adept invokes the Word of his Angel to silence all personal thoughts. Not so: to harmonize them, that is, to organize his human life from the point of view of Spirit. 34. Thy name is Death, it may be, or Shame, or Love. So thou bringest me tidings of the Beloved One, I shall not ask thy name. He will accept this in whatever from it may appear; whether death itself be necessary to end the annoyance of the Ego, or Disgrace to make it ashamed to assert itself, or Love to destroy its ambitions. This is the equivalent attitude to the Master of the Temple’s, who swears to interpret all phenomena as a personal dealing between God and his soul. Oswald Spengler put this in terms more apprehensible by abstract intellection when he said: "Everything of which we are conscious…has for us a deeper meaning still, a final meaning. And the one and only means of rendering this incomprehensible comprehensible must be a kind of metaphysics which regards everything whatsoever as having significance as a symbol." 35. Where is now the Master? cry the little crazy boys. He is dead! He is shamed! He is wedded! and their mockery shall ring round the world. His ``rational'' prejudices will presumably ask -- in such a case -- ''What of your magical ambitions? You are not the Master that you wanted to be; you are simply the slave of this Angel of yours --whatever that may mean—your personality smothered, your ambitions crushed, your sole occupation to echo his remarks, of which you do not even approve.'' ''You have destroyed your Self; you have earned the abuse of your friends; you have abandoned your career, and tied yourself to a woman's whims.'' It is not only the Adept’s rational prejudices who will speak to him so; the ‘little crazy boys’ indicates all normal minds around him, echoed in or echoing his own. 36. But the Master shall have had his reward. The laughter of the mockers shall be a ripple in the hair of the Beloved One. The Adept admits that his body and mind, left to their fate, have met with those disasters. But the intimacy with his Angel to attain which he deliberately dismissed all care of his personal affairs justifies his conduct; and the reproaches of his intellectual ideas are not realised as such: they are to him a stirring of the hair of the Beloved One (radiant energies of the individuality of the Angel) that is, they call his attention to one of His Glories. If it were only this, we would be bound to accept that the relationship Adept-Angel is one of sheer slavery and vampirism. The truth is to be found in Chapter I.41-46 and the Commentaries thereon. What the Adept is trying to attain is beyond th grasp of the ‘little crazy boys’. To them he is a fool carrying an empty sack and assaulted by wild beasts, nose turned up into emptiness and an abyss gaping at his feet. Yet this is the Fool of the Taro, the First Emanation of Kether, the Perfect. See AL I.45 Once the Work has been accomplished, however, the Adept must—if he still has time left in that particular existence—consolidate his gains on the lwer planes too. See AL II.24
37. Behold! the Abyss of the Great Deep. Therein is a mighty dolphin, lashing his sides with the force of the waves. 37-44 This passage is a parable with several applications. 1. It describes the method of attaining Concentration by ``the Ladders'' (See Liber Aleph). 2. It indicates how to deal with people whom one wishes to initiate. 3. It gives a method for passing from one state of mind to another at Will. The main idea in all three matters is that one must apply the appropriate remedy to whatever malady may actually exist, not some ideally perfect medicine. The first matter must be brought step by step through each stage of the process; it is useless to try to obtain the Perfect Tincture from it by making the Final Projection. 4. It describes the whole course of Initiation. These four meanings demand detailed exposititon, verse by verse.
Verse 37 The Abyss is the Mind; the Dolphin the uneasy Consciousness. Verse 38 The harper is the teacher whose praise of the Path of the Wise induces the profane to seek initiation; he is the Guru who stills the mind by making it listen to harmonious sounds, instead of torturing itself by thinking of its pains and its passions. These sounds are produced by mechanical means; they refer to practices like Asana, etc. Verses 39-40 Freed from its grossness and violence, the consciousness aspires to lofty ideals. It is, however, unable to keep quiet, and has little intelligence. It is trained by hearing the harmony of life -- breath inspiring a reed, instead of muscle agitating metal. This refers to Pranayama, but also to apprehending that inspiration is in itself more fluttering; it must learn the art of using every breath to produce harmony. Verse 41 The consciousness now acquires divine and human completeness. The faun symbolized firm aspiration, creative power, and human intelligence. The wings of ideal longing are laid down; the thought accepts the fact of its true nature, and aims only at possible perfections. Verse 42 It now hears the harmony of the Universe as expressed in the human voice; that is, as articulate and intelligible, so that every vibration, besides its power to delight the senses, appeals to the soul. This represents the stage of concentration when, being fixes in meditation upon any subject, one penetrates the superficial aspect and attempts to reach its reality, the true meaning of its relation with the observer. Verse 43 The final stage is reached. All possible positives are known to be errors from the Negative. There is Silence. Then the faun becomes the All. Gone is the limited forest of secondary ideas in which he once dwelt, and left in order to follow the Word that enchanted him. He is now in the world of Ideas whose nature is simple (primal) and are not determined by such conditions as Time. (A tree is an idea, being phallic and bearing branches.) Verse 44 Practice Elementary Yoga until you are perfect: do not try to attain Nibbana till you know how.
Verse 37 Men are ruled by pride and other passions Verse 38 They are best reached by praise of beauty, shown in its most glittering dress. Verses 39-40 When taught to aspire, and clean of the baser appetites, teach them the seven sciences. Verses 41-42 Having instructed them till they are really complete and ready for true initiation, tell them Truth. Verse 43 Once they are on the Path, be silent; they will naturally come to Attainment. Verse 44 Many are the virtues of Silence: but who so is vowed to help men must teach them the Next Step.
Verse 37 The dolphin signifies any state of mind that is uneasy, illcontent, and unable to escape from its surroundings. Verse 38 Cure this by reflecting that it is the material of Beauty, just as Macbeth's character, Timon's misfortunes, etc. gave Shakespeare his chance. Make your own trouble serve your sense of your own life as a sublime drama. Verse 39 Your thought will thus become lyrical; but this will not satisfy your need. You will feel the transitory nature of such a thought. Verse 40 Transform it by looking at it as a necessary and important fact in the framework of the Universe. Verse 41 The lyrical exaltation will now pass into a deep realization of yourself and all that concerns you as an Inhabitant of Nature, containing in your own consciousness the elements of the Divine, and the Bestial, both equally necessary to the Wholeness of the Universe. Your original discomfort of mind will now appear as pleasant, since, lacking that experience, you would have been eternally the poorer. Verse 42 Now interpret that experience ``as a particular dealing of God with your soul.'' Discover an articulate explanation of it: compel it to furnish an intelligible message. Verse 43 Follow up this train of thought until you enter into Rapture, caused by the recognition of the fact that you -- and all else -- are ecstatic expressions of a sublime Spiritual spasm, elements of an omniform Eucharist. Truth, no matter how splendid, will now lose all meaning for you. It belongs to a world where discrimination between Subject and Ppredicate is possible, which implies imperfection; and you are risen above it. You thus become Pan, the All; no longer a part. You thrill with the joy of the lust of creation, become a virgin goddess for your sake. Also, you are insane, sanity being the state which holds things in proper proportion; while you have dissolved all in your own being, in ecstasy beyond all measure. Verse 44 Do not attempt to cure a fit of melancholy by lofty ideas: such will seem absurd, and you will only deepen your despair.
Verse 37 The dolphin is the profane. Verses 38-39 Realizing his evil state, and delighting in the prospects offered by initiation, he renounces all and becomes a pure Aspirant. Verse 40 He learns that the Adept is not a perfection of what he feels to be the noblest part of him, but a Microcosm. Verse 41 He completes the formation of himself as an image of the All. Verses 42-43 He then understands all Things, and at last becomes the All. Verse 44 The profane cannot imagine what the Masters mean when they work with those nearest to them. Verses 45-49 This passage describes the Adept's reaction to Rapture. The main point is that all articulate description is futile. 38. There is also an harper of gold, playing infinite tunes. 39. Then the dolphin delighted therein, and put off his body, and became a bird. 40. The harper also laid aside his harp, and played infinite tunes upon the Pan-pipe. 41. Then the bird desired exceedingly this bliss, and laying down its wings became a faun of the forest. 42. The harper also laid down his Pan-pipe, and with the human voice sang his infinite tunes. 43. Then the faun was enraptured, and followed far; at last the harper was silent, and the faun became Pan in the midst of the primal forest of Eternity.
44. Thou canst not charm the dolphin with silence, O my prophet! 45. Then the adept was rapt away in bliss, and the beyond of bliss, and exceeded the excess of excess. Extravagant phrases attempt to record the Event. Not so extravagant: they intimate bliss, and then transcendence of the normal limits of consciousness into another state where parameters cannot be found. 46. Also his body shook and staggered with the burden of that bliss and that excess and that ultimate nameless. The Physical body, its nerves trying to react sympathetically to the experience, and being charged beyond their capacity is striken. This is one of the reasons why the Aspirant is urged again and again to increase the strength and health of his physical body. See the Tasks of the Grades, and See AL II.70 47. They cried He is drunk or He is mad or He is in pain or He is about to die; and he heard them not. The observer (others, or his own rational mind) misunderstands what is happening. Please note the capital H and the small h in the verse. These variations are always very important and meaningful in Class A publications. 48. O my Lord, my beloved! How shall I indite songs, when even the memory of the shadow of thy glory is a thing beyond all music of speech or of silence? All this is altogether beyond expression. 49. Behold! I am a man. Even a little child might not endure Thee. And lo! Even the innocence of a child could not endure the impact of the Angel. A man, having fixed ideas of truth, finds it terrible when they are all shattered, as they are in this experience. 50. I was alone in a great park, and by a certain hillock was a ring of deep enamelled grass wherein green-clad ones, most beautiful, played. 50-52 The park is the world of well-planted and carefully tended Ideas: such as the scholar and the Man of Letters enjoy. Here I found a place where I could exalt myself (the hillock). Thereby was a ring (my poetry) in which were fairies (my character, my phrases, my rhythm, etc.) 51. In their play I came even unto the land of Fairy Sleep. All my thoughts were clad in green; most beautiful were they. Playing thus, I reach a state of poetic ecstasy (Fairy Sleep). Here I was happy. 52. All night they danced and sang; but Thou art the morning, O my darling, my serpent that twinest Thee about this heart. But all this took place during the night: my highest poetic rapture is as darkness to the light of the Knowledge and Conversation of the Holy Guardian Angel. 53. I am the heart, and Thou the serpent. Wind Thy coils closer about me, so that no light nor bliss may penetrate. I am the feminine sense that accepts the embrace of the male H.G.A. I demand closer contact: even the light and bliss of Rapture distract me from the Union with him. 54. Crush out the blood of me, as a grape upon the tongue of a white Doric girl that languishes with her lover in the moonlight. His presence must leave me no light of my own. Readers may consider the juxtaposition of blood, grape and girl as a poetic metaphor, and it may be so; however, it can also be a unification of several memories into a ‘ripple of His hair’. This is a difficult subject and caution leads us not to encourage the overly imaginative by enlarging on it at present. We refer the serious student to LXV I.33-40, LXV II.30-33, LXV III.40-46, LXV IV.7, LXV V.47 and the Commentaries thereon. 55. Then let the End awake. Long hast thou slept, O great God Terminus! Long ages hast thou waited at the end of the city and the roads thereof. Awake Thou! wait no more! The End means ``The True Self.'' Terminus is the Phallic Stone which lies beyond the mind (city) and its thoughts (roads). By this Union with the Angel I hope to come to the True Self, the fixed eternal creative individual. This "fixidness" is of course in relation to the Smooth Point, center of the ocmplex of energies called ‘star’. 56. Nay, Lord! but I am come to Thee. It is I that wait at last. Having attained the Knowledge and Conversation of the Holy Guardian Angel (by a male effort so to speak) the Adept become receptive, feminine, patient, surrendering his will wholly to that of his Angel. The result of this surrender is the awakening of the True Will. See AL I.61 And see the corresponding paragraphs in Liber NU. It would be possible to explain intellectually this apparent paradox, but we prefer to recall the imatge of the resonating violin. The Angel is doing His Will; the surrender of the Adept impels him in the direction of his own true orbit. See AL I.45-48 and the Commentaries thereon. 57. The prophet cried against the mountain; come thou hither, that I may speak with thee! 57-60 It is equally vain to summon what one wants, or to ge to seek it. To do so is to assert its absence, and the truth is that it is with one all the time, if one will but kill out one's restlessness. 58. The mountain stirred not. Therefore went the prophet unto the mountain, and spake unto it. But the feet of the prophet were weary, and the mountain heard not his voice. 59. But I have called unto Thee, and I have journeyed unto Thee, and it availed me not. 60. I waited patiently, and Thou wast with me from the beginning. 61. This now I know, O my beloved, and we are stretched at our ease among the vines. Realizing this, effort is at an end: one has only to enjoy. 62. But these thy prophets; they must cry aloud and scourge themselves; they must cross trackless wastes and unfathomed oceans; to await Thee is the end, not the beginning. As things are, though, one is so constituted as to be unable to rest in simplicity. One must go through the mill in order to learn how to wait! The problem arises from the fact that the mind—which, by the way, is very strictly connected with the Ahamkara—is a new faculty, justy developed. The simplicity to which A.C. refers is not the simplicity of absence of data, but the simplicity of harmonization of every single part of one’s mind into an integrated, living whole. In order to achieve this, the mind must ‘go to the outermost places and subdue all things.’ 63. Let darkness cover up the writing! Let the scribe depart among his ways. The consciousness of the scribe, hitherto required that he might record the sayings of that part of his Being which we call ``the Adept'' and of his Angel, is now released to attend to its normal affairs. These ‘normal affairs’, nevertheless, are not the affairs of a ‘normal man’, since the scribe’s mind is an initiated mind. 64. But thou and I are stretched at our ease among the vines; what is he? The Adept and his Angel remain reposing in Rapture: they do not cease to exist when the scribe no longer perceives them. On the contrary, he seems rather unreal to them. This is one of the reasons why the Angel orders the Adept-Consciousness to ‘speak often’ to its servant in LXV I.30-31. Unless contact iskept, the scribe runs the risk of losing himself in the amorphous phenomena of the material world, which can only acquire meaning from the point of view of Spirit. 65. O Thou beloved One! is there not an end? Nay, but there is an end. Awake! arise! gird up thy limbs, O thou runner; bear thou the Word unto the mighty cities, yea, unto the mighty cities. Union with his Angel is not the sole goal of the Adept. There is ``an end,'' a Purpose proper to his individuality. The Angel therefore bids him withdraw from the Trance of Union. He is to assume the form of Hermes (runner -- Word-bearer) and deliver the Word entrusted to him to the ``Mighty cities.'' This may mean ``to the greatest minds of the world.'' It will be noted that the Adept echoes the question of the ‘little crazy boy’. The same answer is given, there is no end to rapture; but there is an ‘end’—a purpose—in it. This is related to the Magickal Oath of the A.’.A.’., whose every member is pledged to help the evolution of mankind. The Adept; must impart information; not only the scientific method, but also the scientifric ethics of free and full imparting of information openly to all, are Our way.
Chapter III This chapter is attributed to Water; it deals with the preliminary reflections of Truth as apprehended by intuition,beyond any intellectual apprehension; and with the nature of the Understanding and the sexual instinct.
The Element of Water is of course identified with Emotions and Feelings. Passions, although they partake of water, are initiated by the element of Fire. Thus the problems (and the solution thereof) of kama, prana and sthula sharira are mopre especially treated here. Manas is involved only insofar as the intellect is affected by Apas.
1. Verily and Amen! I passed through the deep sea, and by the rivers of running water that abound therein, and I came unto the Land of No Desire. 1-2 The sea is the Sensorium of the Soul, and the currents his tendencies -- those activities in which he finds pleasure. Until one has passed through the totality of possible experience (as divined by estimation of the actualities available in one's own case) one cannot reach the state in which all Desire is recognized as futile. Only when this is fixed can one perceive the Unicorn—de Astris—the single pure Purpose (it is white) whose name is written in the way now to be explained. The collar represents completeness—the ``infinity'' or ``eternity'' symbolized by a ring. It is round the neck, i.e., the seat of knowledge (Death—the Visuddhi cakkra) and made of silver—the metal of the Virgin Isis-Urania, who informs Pure Aspirations. The name of this Unicorn (whose horn signifies the creative power) is ``The Green Line winds about the Universe.'' Note the etymology of Viridis, connected with vir and vis; also the idea of gyrat, reminding one of the aphorism ``God is He with the Head of the Hawk, having a spiral force.'' The Green Line, here chosen to connote the Limit of the Universe, suggests the Girdle of Venus. The boundary of Existence is thus not a fixed idea, but an ever-growing Vegetable Principle of Life, of the nature of Love. Summing up the doctrine, one may say that the intelligible expression of the pure creative Idea is the omniform principle of Growth. 2. Wherein was a white unicorn with a silver collar, whereon was graven the aphorism Linea viridis gyrat universa. 3. Then the word of Adonai came unto me by the mouth of the Magister mine, saying: O heart that art girt about with the coils of the old serpent, lift up thyself unto the mountain of initiation! The Angel then speaks to the human consciousness of the Adept through the medium of his Initiated Self -- otherwise he could not understand so exalted a message. He bids the man as a man (the heart, Tiphereth, the seat of the conscious Ego) acquire the point of view of the Initiate. The old serpent represents the natural Desire, which is the ``cause of Sorrow,'' binds man to grovel in the dust, and unites him with base animal life. See LXV II.5. The message is given through Binah, that is, Buddhi itself: the Angel is communicating at a very high level. As to grovelling in the dust, and base animal life, that is part of man; only, the Initiate must turn these forces into Service to the Higher Faculties. When the Eqyptian Initiate said ’There is no part of me that is not of the Gods’, he did not mean by this that his material body, his etheric and astral bodies, his lover manas, his vitality and his passions had suddenly become divine in the sense of transcending the planes where they normally functioned. He meant simply that all his faculties were geared to the purpose of the Gods, that is to say, his True Will was being done without interference from any part of his being; and therefore saying this he was stating htat he was God Made Flesh. And so does the priest mean it today when he says these words during the Gnostic Mass (See Liber XV). 4. But I remembered. Yea, Than, yea, Theli, yea, Lilith! these three were about me from of old. For they are one. Than, Theli, and Lilith are three serpentine forms described in the Qabalah. Than is really Tanha -- no pun is suggested, but Th is the letter of Matter, and N represents the reptilian or piscian idea of Life. It is connected with the ``Gluten in the blood'' which von Eckharthausen calls ``the body of sin.'' Theli: li means secret satisfaction -- an idea connected with shame. Lilith: li reduplicated and so become tedious ending in material darkness. Than and Tanha: there is no pun involved, but simply a direct derivation, just as Satan, the Enemy, and SANATANAS, the Eternal, titles of the Suns of the Trimurti. Contact between the Jews and the Eastern systems was always feared by the Jews because of their great emphasis on monotheism and their centuries of conditioning to the worship of’Jehovah’, with attendant punishments for default. From the point of view of the Initiate, every movementof semen, or every passion, or every desire, or every feeling that is not directly concentrated on Service to the Highest is a breach of Chastiey—the most important of the Virtues of an Adept, since the sexual instinct connects all the lwer faculties directly with the Higher. Those Serpentine forms represent thus waste of Kundalini, which is the famous ‘sin against the Holy Ghost’. It is a waste of your Life Force itself. Let it be understood that common men are not affected by this ‘sin’. Their normal fate is to be born, live and die. Their troubles begin the moment they take the Oath of Aspiration. It is not exactly that they are swimmin against the tide—not in this Aeon, fortunately. But they were floating along, and now they are trying to swim and thus go forward faster than their fellows. Energy must be saved, because it is needed for the extra effort that Initiation costs. If you waste it, you waste your substance itself. Thus Prudence is sister to Chastity, nay, its twin, nay, they are both the self-same Virtue! See Atu IX in the Taro, and Chapter 53 of Liber Aleph. 5. Beautiful wast thou, O Lilith, thou serpent-woman! 5-12 The Adept analyses this Demon-Queen of his Nephesch. He recalls her sensory appeal, and notes that, the dissolution of all things being inevitable, the love of them leads to sorrow and destruction. In verses 11-12, furthermore, he shows that apart from all considerations of time, the nature of this Desire, properly apprehended, is corruption. 6. Thou wast lithe and delicious to the taste, and thy perfume was of musk mingled with ambergris. 7. Close didst thou cling with thy coils unto the heart, and it was as the joy of all the spring. The nature of "Love" should be studied in Little Essays Toward Truth, chapter of the same name, particularly the last paragraph. It cannot be too well understood that all manifestations of human love, even the most lyrical, the happiest, the purest, the ones that all churches, from the Roman to the Buddhist, all States, from Italy to China, approve the "sanctify" with ceremonies and laws, are simply the convolutions of the old serpent, the activity of an animal instinct, the grunts and contortions, shomewhat refined in appearance no doubt, of the great apes. 8. But I beheld in thee a certain taint, even in that wherein I delighted. The Curse of the Oath. This taint is totally invisible to normal mankind. You have to have the seeds of higher endeavor in you to sense it. 9. I beheld in thee the taint of thy father the ape, of thy grandsire the Blind Worm of Slime. That is, of the animal ancestors of the bestial half of our race. Compare LXV II.3-5 and the Commentaires thereon. 10. I gazed upon the Crystal of the Future, and I saw the horror of the End of thee. The end here means both the purpose of this force, which is purely animal, and the consequence of yielding to it, which is severance form the Higher Faculties. 11. Further, I destroyed the time Past, and the time to Come -- had I not the Power of the Sand-glass? 12. But in the very hour I beheld corruption. 13. Then I said: O my beloved, O Lord Adonai, I pray thee to loosen the coils of the serpent! 13-14 It is useless to ask the Angel to free the Adept from such coercion; his magical force, which is necessary for this Work, is prevented by Desire from so much as beginning. 14. But she was closed fast upon me, so that my Force was stayed in its inception. This is a very important point: it is useless to ask your Angel to do for you the things that you must do yourself. The Angel is not a master with a slave, or a puppeteer with his puppets: he is a Teacher to whom the Law of Thelema is foremost. "So with thy all; thou has no right but to do thy will." (AL I.42) 15. Also I prayed unto the Elephant God, the Lord of Beginnings, who breaketh down obstruction. The Adept invokes Ganesha, who represents the power of breaking down obstructions. The elephant, ``the half-reasoner with the hand,'' is the moral force in man, partly intelligent and docile to the control of its Spiritual Master. 16. These gods came right quickly to mine aid. I beheld them; I joined myself unto them; I was lost in their vastness. This moral force brought into action, the Angel also becomes an efficient assistant, and the constraint of Desire disappears altogether. 17. Then I beheld myself compassed about with the Infinite Circle of Emerald that encloseth the Universe. The Adept now realizes himself as bounded only by the Green Line of verse 2. You will ntoe that the Serpentine Foirce is the same, but now, so to speak, the magnetic poles have been changed. In essence, the Blind Worm of Slime is also the worm of Hell, Hadit, which is Life, and the giver of Life. Kundalini is sent from the Muladhara up, which is enough to transofrm it form the Demon-Queen Lilith into a Manifestation of Nuit. It is not the material at hand that is important, but what you do with it; or rather, it is not the material at hand which is malignant or "evil", but you who surrender your lower self to gross indulgence. 18. O Snake of Emerald, Thou hast no time Past, no time To Come. Verily Thou art not. This Line is recognized as equivalent to the Negative -- to Nuith Herself. 19. Thou art delicious beyond all taste and touch, Thou art not-to-be-beheld for glory, Thy voice is beyond the Speech and the Silence and the Speech therein, and Thy perfume is of pure ambergris, that is not weighed against the finest gold of the fine gold. 19-20 This idea of Pure Love is free from all bonds; it gives the true utmost gratification; its perfume (spiritual significance) is not mingled with any imperfect conception. (Ambergris is the perfume of Kether; musk refers to Love in a somewhat animal sense.) 20. Also Thy coils are of infinite range; the Heart that Thou dost encircle is an Universal Heart. The Angel also is identified with this Green Line, and thereby the consciousness of the Adept expands to include the Universe. 21. I, and Me, and Mine were sitting with lutes in the market-place of the great city, the city of the violets and the roses. 21-26 The idea of the Ego must not be used to unite the experience of the Adept. The music of life ceases (in such a case) whenever doubt darkens, trouble disturbs, or time wearies the consciousness. The Adept must lose himself wholly in the consciousness of his Angel, which is beyond all such limitations and immune to all attachments -- for He is not to be expressed by any fixed Image, such as might be destroyed. This is not exactly what is supposed to be done. The ideaof the Ego must be used to unite the experience of the Adept below the Abyss; it is impossible to function as a human being without the Ahamkara. It sif or this purpose tha thte Ahamkara was constructed. But eh consciouysness of the Ego must be realized as a convenience, and as relative, not an absolute. The normal lines unting Kama, Manas and Ahamkara must be dissolved and repleaced by new lines—the lines of Initiation. In short, old synapses must be dissolved in the brain, and new synapses must be established. The Crossing of the Abyss (which may be done in two planes, that of the Manas and that of Kama, which are treated respectively int ehLiber Os Abysmi and Liber Cheth; and, in order that the Master of the Temple may function efficiency, both crossings must take place, though not necessarily at the same time) is the dissolution of the mortal ego, or the ego of the lumar man, and the creation of something that cannot any longer be called ego, but is the consciousness of the solar man, or the "Body of Glory". The Ahamkara still exists, and still functions; but now the mind knows itself as an instrument and mediator—a "scribe"—and the Kama no longer is attached to the reactions of the Ahamkara. "I"—the active aspect of the Ahamkara. "Me"—the passive aspect of the Ahamkara. "Mine"—the attachment to anything below the Abyss, possible only when some part or another of the Ahamkara becomes static, either through lack of energy at that spot, or through the formation of energy knots—complexes, as the psychoanalysts would say. "The city of the violets and the roses" is, of course, the mind of Aleister Crowley, which is thus splendidly described. 22. The night fel |