Calibrating Audiometers
This article will deal only
with those aspects of ANSI S3.6-1996 that are most relevant to the
practicing clinician. Those topics pertaining to bone transducers, sound field testing etc
can be
found elsewhere within this site. Please
refer to the table of contents or enter a search query above to locate your
topic of interest.
The
current standard for the calibration of audiometers is ANSI S3.6 1996.
In order for an audiometer to meet the current ANSI standard it must meet
the following general requirements of:
a.
electrical
safety
b.
warm-up
time
c.
variation
in the power supply and environment
d.
generation
of unwanted acoustic signals
e.
subject
response system
f.
monitoring
earphone or loudspeaker system
g.
talk back
system
Audiometer
calibration should be performed at least annually according to the procedures
described below. The equipment necessary to perform these measurements is a
sound level meter, octave-band filter set, and a National Bureau of Standards 9A
6 cc coupler. Three styles of
earphones are described ANSI S3.6 1996. They
are supra-aural, circumaural, and insert.
The
NBS 9A 6 cc coupler is standardized for the Telephonics MX41-AR cushions only.
If circumaural phones are used, an aluminum plate must be added to the
coupler between the top and bottom portions to increase the relevant surface
areas so that a seal between the circumaural cushion and the coupler can be
formed.
This
standard also includes information on how to calibrate insert receivers.
The end of the receiver is inserted into an occluded ear simulator or into an HA-2
acoustic coupler. The RETSPL values are listed in Table 3 below.
According to ANSI S3.6 - 1996 section 3.6, the RETSPL (reference equivalent
sound pressure level), is the mean equivalent threshold sound pressure level at
a specified frequency, as measured in a specified acoustic coupler, artificial
ear, or ear simulator based upon hearing threshold data from a sufficiently
large number of otologically normal individuals of both genders ranging in age
from 18 - 30 years.
The
RETSPL values are relevant in audiometer calibration for
several reasons. Without these figures, we would not
know how much sound pressure is needed to reach 0 dB HL
(threshold of hearing for an otologically normal hearing
population) at a specific frequency. By choosing a
standard coupler (i.e. HA-2), we can be assured that a
consistent (standardized) value can be applied to a common
coupler to deliver a value of 0 db HL.
In
making these measurements, the accuracy of the calibrating equipment shall be
sufficient to determine that the audiometer is within the tolerances permitted
by ANSI.
Briefly,
this is what needs to be done:
(1)
"Sound Pressure Output Check"
A.
Fit the coupler (i.e. HA-2) over the microphone of the sound level meter and
place the earphone on the other end of the coupler.
B.
Set the audiometer's hearing threshold level (HTL) dial to 70 dB.
C.
Using the sound level meter, measure the sound pressure level of the tones at each test frequency from 500 Hz
through 6000 Hz for each earphone.
Note:
In
order to measure the sound pressure level, the mean square
pressure must be averaged over a certain period of
time. Standard sound level meters normally
incorporate "fast" and "slow" response
settings corresponding to averaging times of 125 ms and 1
s, respectively (IEC 651, 1979, Berglund & Lindvall,
1995).
When
measuring steady state sounds, it does not really matter
what averaging time you use, as long as the time you use
is long enough compared with the time period of sound
pressure fluctuations (Berglund & Lindvall 1995 pg
27. For calibration purposes a slow setting will
suffice. Only when examining impulse sounds, will a
fast averaging time be necessary, however it should be
noted that "fast" (<10 ms) isn't fast enough
for most impulse sounds.
One
other feature of the sound level meter that needs to be
addressed is the weighting. Your sound level meter may
have a setting for A-, B- and C- filters, or perhaps just
A- or linear. The A- weighting curve is used to
weight sound pressure levels as a function of frequency,
approximately in accordance with the frequency response
characteristics of the human auditory system. For
this reason, we will set the sound level meter to A- for
our audiometer calibration purposes.
D.
At each frequency the readout on the sound level meter should correspond to the
levels in Table 1 or Table 2 (listed below), as appropriate for the type of
earphone, in the column.
(2)
“Linearity Check”
An audiometer is linear if for every
increase on the dial, an equal increase in output is measured.
By taking readings from a sound level meter, you can ensure that the dial step
sizes are linear and accurate.
A.
With the earphone in place, set the frequency to 1000 Hz and the HTL dial on the
audiometer to 70 dB.
B.
Measure the sound levels in the coupler at each 10-dB decrement from 70 dB to 10
dB, noting the sound level meter reading at each setting.
C.
For each 10-dB decrement on the audiometer the sound level meter should indicate
a corresponding 10 dB decrease.
D.
This measurement may be made electrically with a voltmeter connected to the
earphone terminals.
The
standard requires that the output level of the audiometer always be within 1 dB
of the stated value for attenuators marked in 5 dB intervals or 0.3 times the
interval of attenuators that are marked in smaller intervals.
The
electrical noise floor must be accounted for when performing a linearity check
at low levels. Measure the noise floor with the signal on, then off, and
then compare the two values.
This is done at a 60
dB dial setting, and the electrical signal in any 1/3 octave band must be 10 dB
below the signal RETSPL at all test frequencies. The RETSPL value is
important here for indicating whether or not the
electrical noise floor meets ANSI standards.
For
example:
The
RETSPL value for a HA-2 coupler at 250 Hz is 14 dB.
This means that the electrical noise floor must be 4 dB or
less at 250 Hz in order for the audiometer to meet ANSI
3.6 standards. However, because human thresholds varies according to frequency, a 4 dB noise
floor will not be acceptable at all frequencies. At
1000 Hz, the RETSPL value is 0 dB, therefore the
electrical noise floor must be -10 dB or less.
(3)
“Tolerances”
When
any of the measured sound levels deviate from the levels in Table 1 or Table 2
by +/ - 3 dB at any test frequency between 500 and 3000 Hz, 4 dB at 4000 Hz,
or 5 dB at 6000 Hz, an exhaustive calibration is advised. An exhaustive
calibration is required if the deviations are 15 dB or greater at
any test frequency.
Table 1- Reference
Threshold Levels For Telephonics – TDH-39 Earphones
|
Frequency
(Hz)
|
Reference
Threshold Level for TDH 39 (dB)
|
Sound
Level Meter Reading (dB)
|
|
500
|
11.5
|
81.5
|
|
1000
|
7
|
77
|
|
2000
|
9
|
79
|
|
3000
|
10
|
80
|
|
4000
|
905
|
79.5
|
|
6000
|
15.5
|
85.5
|
from
ANSI S3.6-1996
Table
2 – Reference Threshold Levels for Telephonics – TDH 49 Earphones
|
Frequency
(Hz)
|
Reference
Threshold Level for TDH 49 (dB)
|
Sound
Level Meter Reading (dB)
|
|
500
|
13.5
|
83.5
|
|
1000
|
7.5
|
77.5
|
|
2000
|
11
|
81.0
|
|
3000
|
9.5
|
79.5
|
|
4000
|
10.5
|
80.5
|
|
6000
|
13.5
|
83.5
|
from ANSI S3.6-1996
Table 3 Reference Pressures for 0 dB HL
Frequency
|
250
|
500
|
1000
|
2000
|
4000
|
8000
|
|
Reference
SPL NBS 9-A
|
25.5
|
11.5
|
7.0
|
9.0
|
9.5
|
13.0
|
|
Reference
SPL HA-2
|
14.0
|
5.5
|
0.0
|
3.0
|
5.5
|
0.0
|
from ANSI S3.6-1996
ANSI
S3.6 1996 classifies audiometers into five categories, 1 through 5 depending on
the features and capabilities it has for pure-tone testing.
There are also three classes (A through C) for audiometers, which help
indicate the number of features for speech testing with speech signals.
In general, you can say that a type 1A is the fully loaded model and a type 5 is
the basic model. For a view of a chart featuring the requirements of each
audiometer type, click
here.
Type
1 audiometers must be able to present octave tones of 125 – 8000 Hz, and 750, 1500, 3000, and 6000 Hz, with a
frequency accuracy within 1% of the frequency in question.
In fact, the numeric type of audiometer corresponds to the accuracy (in
percentage) by which it must meet for a given test frequency (this differs from the previous revision of ANSI S3.6
1989.
Previously, the frequency tolerance was +/- 3 % of the intended
frequency).
Harmonic Distortion
Harmonic
distortion requirements have changed since ANSI S3.6 1989.
The 1996 revision requires that the maximum level of the harmonics of the
test tone relative to the level of the fundamental not exceed values in the
table below (taken from ANSI S3.6 1996).
click
to enlarge
The
measurement of harmonic distortion is different for both
air and bone conducted signals. For air conducted
signals, the transducer needs to be mounted on an acoustic
coupler, an artificial ear, or an ear simulator similar to
the one used for
the specification of the RETSPL. For measurements above 5 kHz, errors are more
likely due to limitations in the acoustic coupler,
artifical ear, or ear simulator.
Rise/Fall
Time of Tone
The
following figure (from ANSI S3.6 1996) will help
illustrate the rise and fall time requirements for
audiometers.
above figure taken
from ANSI S3.6 1996
The
rise time is described as A to C on the figure
above. From the onset of the signal/tone, A to C
should not exceed 200 ms and B to C should be no less than
20 ms. The sound pressure level must also rise
progressively without discontinuities.
The fall time requirements are basically the reverse of the rise
time. D to H should not be more than 200 ms with E
to G being no less than 20 ms with the sound pressure
level falling progressively without
discontinuities.
Overshoot
requirement in ANSI S3.6 1996 states that, "the sound
pressure level produced by the transducer shall not exceed
+1 dB relative to its steady state level during either its
rise or fall" (pg 16-17).
More
detailed topics which are discussed in the standard include the following:
a.
Tone
signal source frequency and sound pressure level ranges, accuracy, and
distortion characteristics; signal rise and decay time
b.
speech
signal source sound pressure level, distortion, frequency response, and
monitoring capability
c.
properties
of masking sounds
d.
resolution,
linearity, and accuracy of signal and masker level controls
e.
calibration
procedures for supra-aural circumaural and insert earphones, bone conduction
vibrators, and loudspeakers
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