Do Not Go Gentle into that Good Night
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
In My Craft or Sullen Art
In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms,
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.
Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art
Sometimes the Sky's too Bright
Sometimes the sky's too bright,
Or has too many clouds or birds,
And far away's too sharp a sun
To nourish thinking of him.
Why is my hand too blunt
To cut in front of me
My horrid images for me,
Of over-fruitful smiles,
The weightless touching of the lip
I wish to know
I cannot lift, but can,
The creature with the angel's face
Who tells me hurt,
And sees my body go
Down into misery?
No stopping. Put the smile
Where tears have come to dry.
The angel's hurt is left;
His telling burns.
Sometimes a woman's heart has salt,
Or too much blood;
I tear her breast,
And see the blood is mine,
Flowing from her, but mine,
And then I think
Perhaps the sky's too bright;
And watch my hand,
But do not follow it,
And feel the pain it gives,
But do not ache.
Vision and Prayer [I]
Who
Are you
Who is born
In the next room
So loud to my own
That I can hear the womb
Opening and the dark run
Over the ghost and the dropped son
Behind the wall thin as a wren's bone?
In the birth bloody room unknown
To the burn and turn of time
And the heart print of man
Bows no baptism
But dark alone
Blessing on
The wild
Child.
All All and All
I
All all and all the dry worlds lever,
Stage of the ice, the solid ocean,
All from the oil, the pound of lava.
City of spring, the governed flower,
Turns in the earth that turns the ashen
Towns around on a wheel of fire.
How now my flesh, my naked fellow,
Dug of the sea, the glanded morrow,
Worm in the scalp, the staked and fallow.
All all and all, the corpse's lover,
Skinny as sin, the foaming marrow,
All of the flesh, the dry worlds lever.
II
Fear not the waking world, my mortal,
Fear not the flat, synthetic blood,
Nor the heart in the ribbing metal.
Fear not the tread, the seeded milling,
The trigger and scythe, the bridal blade,
Nor the flint in the lover's mauling.
Man of my flesh, the jawbone riven,
Know now the flesh's lock and vice,
And the cage for the scythe-eyed raver.
Know, O my bone, the jointed lever,
Fear not the screws that turn the voice,
And the face to the driven lover.
III
All all and all the dry worlds couple,
Ghost with her ghost, contagious man
With the womb of his shapeless people.
All that shapes from the caul and suckle,
Stroke of mechanical flesh on mine,
Square in these worlds the mortal circle.
Flower, flower the people's fusion,
O light in zenith, the coupled bud,
And the flame in the flesh's vision.
Out of the sea, the drive of oil,
Socket and grave, the brassy blood,
Flower, flower, all all and all.
This Side of the truth
This side of the truth,
You may not see, my son,
King of your blue eyes
In the blinding country of youth,
That all is undone,
Under the unminding skies,
Of innocence and guilt
Before you move to make
One gesture of the heart or head,
Is gathered and spilt
Into the winding dark
Like the dust of the dead.
Good and bad, two ways
Of moving about your death
By the grinding sea,
King of your heart in the blind days,
Blow away like breath,
Go crying through you and me
And the souls of all men
Into the innocent
Dark, and the guilty dark, and good
Death, and bad death, and then
In the last element
Fly like the stars' blood
Like the sun's tears,
Like the moon's seed, rubbish
And fire, the flying rant
Of the sky, king of your six years.
And the wicked wish,
Down the beginning of plants
And animals and birds,
Water and Light, the earth and sky,
Is cast before you move,
And all your deeds and words,
Each truth, each lie,
Die in unjudging love.
All that I owe the fellows of the grave
All that I owe the fellows of the grave
And all the dead bequeathed from pale estates
Lies in the fortuned bone, the flask of blood,
Like senna stirs along the ravaged roots.
O all I owe is all the flesh inherits,
My fathers' loves that pull upon my nerves,
My sisters tears that sing upon my head
My brothers' blood that salts my open wounds
Heir to the scalding veins that hold love's drop,
My fallen filled, that had the hint of death,
Heir to the telling senses that alone
Acquaint the flesh with a remembered itch,
I round this heritage as rounds the sun
His winy sky, and , as the candles moon,
Cast light upon my weather. I am heir
To women who have twisted their last smile,
To children who were suckled on a plague,
To young adorers dying on a kiss.
All such disease I doctor in my blood,
And all such love's a shrub sown in the breath.
Then look, my eyes, upon this bonehead fortune
And browse upon the postures of the dead;
All night and day I eye the ragged globe
Through periscopes rightsighted from the grave;
All night and day I wander in these same
Wax clothes that wax upon the ageing ribs;
All night my fortune slumbers in its sheet.
Then look, my heart, upon the scarlet trove,
And look, my grain, upon the falling wheat;
All night my fortune slumbers in its sheet.
Fern Hill
Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.
And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.
All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars
Flying with the ricks, and the horses
Flashing into the dark.
And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.
And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace.
Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.
I See the Boys of Summer
I see the boys of summer in their ruin
Lay the gold tithings barren,
Setting no store by harvest, freeze the soils;
There in their heat the winter floods
Of frozen loves they fetch their girls,
And drown the cargoed apples in their tides.
These boys of light are curdlers in their folly,
Sour the boiling honey;
The jacks of frost they finger in the hives;
There in the sun the frigid threads
Of doubt and dark they feed their nerves;
the signal moon is zero in their voids.
I see the summer children in their mothers
Split up the brawned womb’s weathers,
Divide the night and day with fairy thumbs;
There in the deep with quartered shades
Of sun and moon they paint their dams
As sunlight paints the shelling of their heads.
I see that from these boys shall men of nothing
Stature by seedy shifting,
Or lame the air with leaping from its heats;
There from their hearts the dogdayed pulse
Of love and light bursts in their throats.
O see the pulse of summer in the ice.
II
But seasons must be challenged or they totter
Into a chiming quarter
Where, punctual as death, we ring the stars;
There in his night, the black-tongued bells
The sleepy man of winter pulls,
Nor blows back moon-and midnight as she blows.
We are the dark deniers, let us summon
Death from a summer woman,
A muscling life from lovers in their cramp,
From the fair dead who flush the sea
The bright-eyed worm on Davy’s lamp,
And from the planted womb the man of straw.
We summer boys in this four-winded spinning,
Green of the seaweeds’ iron,
Hold up the noisy sea and drop her birds,
Pick the world’s ball of wave and froth
To choke the deserts with her tides,
And comb the country gardens for a wreath.
In spring we cross our foreheads with the holly,
Heigh ho the blood and berry,
And nail the merry squires to the trees;
Here love’s damp muscle dries and dies,
Here break a kiss in no love’s quarry.
O see the poles of promise in the boys.
III
I see you boys of summer in your ruin.
Man in his maggot’s barren.
And boys are full and foreign in the pouch.
I am the man your father was.
We are the sons of flint and pitch.
O see the poles are kissing as they cross.
In the Beginning
In the beginning was the three-pointed star,
One smile of light across the empty face;
One bough of bone across the rooting air,
The substance forked that marrowed the first sun;
And, burning ciphers on the round of space,
Heaven and hell mixed as they spun.
In the beginning was the pale signature,
Three-syllabled and starry as the smile;
And after came the imprints on the water,
Stamp of the minted face upon the moon’
The blood that touched the crosstree and the grail
Touched the first cloud and left a sign.
In the beginning was the mounting fire
That set alight the weathers from a spark,
A three-eyed, red-eyed spark, blunt as a flower;
Life rose and spuoted from the rolling seas,
Burst in the roots, pumped from the earth and rock
The secret oils that drive the grass.
In the beginning was the word, the word
That from the solid bases of the light
Abstracted all the letters of the void;
And from the cloudy bases of the breath
The word flowed up, translating to the heart
First the characters of birth and death.
In the beginning was the secret brain.
The brain was celled and soldered in the thought
Before the pitch was forking to a sun;
Before the veins were shaking in their seive,
Blood shot and scattered to the winds of light
The ribbed original of love.
Light Breaks Where No Sun Shines
Light breaks where no sun shines;
Where no sea runs, the waters of the heart
Push in their tides;
And, broken ghosts with glow-worms in their heads,
The things of light
File through the flesh where no flesh decks the bones.
A candle in the thighs
Warms youth and seed and burns the seeds of age;
Where no seed stirs,
The fruit of man unwrinkles in the stars,
Bright as a fig;
Where no wax is, the candle shows its hairs.
Dawn breaks behind the eyes;
From poles of skull and toe the windy blood
Slides like a sea;
Nor fenced, nor staked, the gushers of the sky
Spout to the rod
Divining in a smile the oil of tears.
Night in the sockets rounds,
Like some pitch moon, the limit of the globes;
Day lights the bone;
Where no cold is, the skinning gales unpin
The winter’s robes;
The film of spring is hanging from the lids.
Light breaks on secret lots,
On tips of thought where thoughts smell in the rain;
When logics die,
The secret of the soil grows through the eye,
And blood jumps in the sun;
Above the waste allotments the dawn halts.
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