UNMASKING NASA

HOW NASA HIDES AND FAKES DETAIL ON AND INSIDE ASTRONAUT HELMET REFLECTIONS.

(CONTINUED)

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Look at that reflection of the astronaut again..

   

From a distance it looks normal..

But the closer in we get, the less it looks like an astronaut..

 

Here's the picture in negative and positive.

How can his right hand bend backwards like that? (Unless he's carrying something, of course)

And why does the 'helmet' appear to go from the head down in a seemingly unbroken thick then thin line almost to his crotch?

What's that black thing splitting the top of his head?

 

And then focusing on the 'black area's' on the left side of his chest.

With enhancement, it's obvious that NASA have added those black markings for some reason.

 

And even though we're looking apparently at a reflection of an 'astronaut' - the closer we look, the less normal it appears.

Whatever the reality is of this image, we've learned that a lot of attention is paid by NASA to obvious reflections in visors.

But we're overlooking something..

Given that we were able to correct the visuals and show what was actually visible in the landscape, this means that the 'reflection' itself, is merely a photograph within a photograph.

(Think it through - if it was a 'real' reflection, showing an unfaked landscape - then no amount of contrast/exposure/bilinear adjustment would be able to unmask the visuals.)

The reflection itself therefore, is a tampered-with photograph that's been overlaid and projected onto the astronauts face helmet.

Onto reflection number two

It's much poorer quality, and supposedly optically 'damaged'.

But this is useful because if NASA spend time and effort in placing faked photographs over astronauts visors in regular quality photographs, then perhaps they may miss a few steps with a 'damaged' photo (making the assumption that the viewer wont bother looking as closely).

We start with the reflected astronaut in view in the reflection.

To begin with, although it may seem to be an astronaut in the reflection, it isn't.

..Because in closeup - it has no head.

And nothing is visible above the black 'horizon'.

And it can't be crouching down, given the angle of the photograph 'it's' apparently taking.

Let's go back out again briefly

As we turn our attention to the rest of the reflection, let's turn the image to a negative and see if things make a little more sense in the helmet reflection, as there seems to be a lot of detail there. (Whereas with the other photo, it required unmasking to show detai)

In negative some sort of odd shapes appear instantly visible in the foreground, without any enhancement.

But first - let's take another look at what vaguely looked like 'an astronaut' initially - seeing as we're looking at the photo in 'negative' form..

Closeup on what appeared to be an astronaut.

Whatever it is - the surface around it appears to be filled with coiled shapes.

Despite not knowing what this is, and the poor quality - the visibility of the coils, tubes and shadows, suggest that turning the 'reflection' into a negative, is the correct route into this particular photograph.

We also seem to have stumbled upon a glimpse of the lunar surface as it is.

(Recall how difficult it was to 'see' this central black marking when it was white - now in reverse, we still cant make sense of it.

But abruptly the surroundings make sense and we can see clear shapes.

Pulling back out, to look at the section as NASA show it..

And here it is reversed..

Lots of coils and shapes become visible.

Now we move to the foreground of the reflection.

 

As you can see, there is a large quantity of 'something' visible.

And again - it's worth repeating:

If these sections of photographs were just 'real' reflections off astronauts helmets - I wouldnt be able to adjust or unmask the detail they display. Therefore they are fake.

They are photographs that have been projected onto the glass of the astronauts helmets in some photographic process. They are not 'real' reflections or part of the original photograph.

NASA was simply counting on no one ever looking at the photographs from the correct perspective, or trying to unmask the 'reflections'.

 

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