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| Movement to the side. | |
| The rotation of the hips around the spine caused by the alternate bending and straightening action of the knees, as seen in most Latin and Rhythm dances. | |
| A subset of the International Style of Ballroom Dancing which
includes the following 5 dances:
See also: [ Standard Style | Smooth Style | Rhythm Style | American Style | International Style ] |
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| Forward or backward walks taken with Latin Hip Motion. | |
| Effective communication of intended actions on the part of the man, through the use of his own body movements, and through one or more connections to his partner (physical and/or visual). | |
| A half-turn to the left, consisting of 3 steps, where the LF crosses in front of the RF on the third step. This is also known in Viennese Waltz and International Tango as a Basic Reverse Turn, but is often specified as a Cross-Turn when differentiating between this and a simple Closed Reverse Turn. | |
| A pendulum-type swinging action of the leg underneath the hip. | |
| The grandfather of all forms of Swing, named after Charles Lindberg, and originating at the Savoy ballroom in the 1930's as a modified form of Charleston done in dance position. Lindy Hop is currently enjoying a revival with a new generation of swing clubs, musicians, and dancers. | |
| 8-count timing as found in many of the Lindy basic actions, taken as follows: 1, 2, 3&4, 5, 6, 7&8, or 1&2, 3, 4, 5&6, 7, 8. The 8-count timing is used in almost all forms of swing, but is most commonly referred with this terminology in ballroom Swing and Jive. | |
| (#1) Lines, real or imaginary, created by the
positioning of the variuos body parts in a visually pleasing manner. (#2) A pose which creates pleasing body lines, as described in #1. |
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| A type of non-partner dancing, primarily associated with the Country & Western genre, where a group of people will dance through a pre-choreogrphed sequence of movements in unison. The choreography is generally simple, as it is intended for mass-consumption. Examples of Line Dances are the Electric Slide, the Tush-Push, and the Slappin' Leather. | |
| Movement which follows a straight direction, as opposed to movement which is rotational. | |
| The counterclockwise flow of traffic around the dance floor. The Line of Dance represents the general direction of movement overall, and is only pertinent to dances that travel continuously around the floor, such as Foxtrot, Waltz, Tango, and Samba. | |
| The lowering of the body from a position of rise, through the action of the ankles/feet. Not to be confused with compression (see related definition). | |
| Dance position where man and lady stand at right-angles, lady on man's left side. Man holds lady's right hand in his left. |