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J http://www.meridian-audio.com/ara/multips3.pdf Tutorial introduction to perception-and-multi channel audio by J.Robert Stuart.
J Good background white paper (3 parts) on multichannel audio by Floyd E. Toole, vice president of Harman Audio:-
http://www.infinitysystems.com/home_audio/whitepapers/inf-rooms_1.pdf - Part 1 - How many loudspeakers? What kind? Where do I put
them?
http://www.infinitysystems.com/home_audio/whitepapers/inf-rooms_2.pdf Part 2 - Making a good loudspeaker – Imaging, space and
great sound in rooms.
http://www.infinitysystems.com/home_audio/whitepapers/inf-rooms_3.pdf Part 3 - Getting the Bass Right
http://www.infinitysystems.com/home_audio/technology.asp -links to other white papers by same author(s)
http://www.infinitysystems.com/homeaudio/products/glossary/glossary.asp -basic glossary of audio-related terms
http://www.mtsu.edu/~dsmitche/rim456/3D_Sound_Links.html
3
Dimensional Sound Links
http://www.studiocovers.com/articles15.htm Links to articles on acoustics and studio treatments, including home studio-on-a-budget.
http://hsv.com/scitech/audio/index.htm . The Virtual Times, Audio Section -Links “All” of the internet sites and newsgroups dealing with Audio and/or Acoustics (good but needs updating)
http://www.ht-audio.com/audio.htm -recently updated (mid2002).
http://www.omg.unb.ca/~mleese/ ..or:
http://www.york.ac.uk/inst/mustech/3d_audio/ambsfaq.htm#1 (mirror site in uk) Martin Leese’s authoritative FAQ site on Ambisonic surround sound. Good basic explanations and extensive links.
http://www.wendycarlos.com/gosurround.html
Adventures in Surround Sound, from 7.2 to Quad (personal and
historical notes, basics, and acoustic realities often forgotten)
The website of music pioneer Wendy Carlos
including essays which throw some light on what happened to Quadrophonics and
what’s happening today; substantially different perspective on surround
matters.
J http://www.howstuffworks.com/movie-sound2.htm Very simple, straightforward explanations of various film sound surround formats.
Jhttp://www.ambisonic.net/ Excellent way into ambisonics, with extensive links and is updated regularly.
http://www.york.ac.uk/inst/mustech/3d_audio/ambis2.htm mirrors ambisonic.net, and is a centre for ongoing research into ambisonics.
http://www.muse.demon.co.uk/3daudio.html introducing “2nd order” ambisonics
http://mcgriffy.com/audio/ambisonic/transcoder/ -Ambisonics decoder for Protools (horizontal only, as yet)
http://www.geocities.com/ambinutter/Integrex.pdf How to build analogue decoders –the original.
http://www.sospubs.co.uk/sos/oct01/articles/surroundsound3.asp
SURROUND SOUND EXPLAINED * PART 3 Though
a commercial failure in the 1970s, the Ambisonics surround sound system was
technically flawless, and survives to this day -- indeed, today it is more
relevant than ever. Hugh Robjohns unravels the mysteries of the B-format...
http://www.northwestern.edu/musicschool/classes/3D/pages/sndPrmGK.html A 3-D sound primer by Gary Kendall of Northwestern University
http://www.airjohn.com/~surround
tons of links to
surround-sites and some articles about surround-related topics.
http://www.mtsu.edu/~dsmitche/rim458/materials/Aes_105.html - Toward an Aesthetic in Mixing for
Multi-channel Music Presentation
http://www.aes.org/technical/documents/AESTD1001.pdf
Important standardising recommendations of AES technical committee on
5.1 usage
http://www.u-aizu.ac.jp/~wlm/iwhit.html
Does
KEMAR Sleep in a Procrustean Bed? By William Martens
http://www.u-aizu.ac.jp/~wlm/terms.html
Spatial Audio Terminology
Jean-Marc Jot -5th International Conference: Interface to Real
& Virtual Worlds, Montpellier, France, Mai 1996
Copyright © Ircam - Centre Georges-Pompidou 1996
http://www.sfu.ca/sonic-studio/handbook/index.html HANDBOOK FOR ACOUSTIC ECOLOGY -Barry Truax, editor. Second Edition, 1999
http://ourworld.compuserve.com/homepages/richard_brice/franci.htm
stereo just won’t die!
http://www.thirdmonk.com/Articles/Practical/A%20Practical%20Guide.html This paper is intended to serve as a brief guide to automated electroacoustic music concert diffusion. © 1999, Chris Rolfe
http://cec.concordia.ca/econtact/Diffusion/diffindex.htm A magazine about sound diffusion
/electroacoustics!
http://www.philomel.com/sites.html small site, good general sound links
http://www.mtsu.edu/~dsmitche/rim456/3D_Sound_Links.html another good links site
http://www.leeandthompson.com/MusicGuide/index.html -Lee
& Thompson is a leading media and entertainment law firm and represents some of the biggest-name artists, including the Spice
Girls, Simply Red, Massive Attack and new client Richard Ashcroft This clients
guide to music industry agreements is comprehensive and up to date (2002)
http://musicyellowpages.com/ USA yellow pages for music industry
http://www.musicianmag.com/musicianmag/index.jsp
-MUSICIAN'S GUIDE TO TOURING
& PROMOTION. Online presence of USA mag, with 5000 links, etc., good
features and articles.
http://www.motetmusic.co.uk/index.html -“Motet -
the UK's best music resource site”– well they would say that- large resource of
music related links
http://www.funktion-one.com/home.htm Funktion
One are one of the most respected event P.A designers. They also have
experience with large-scale use of ambisonics.
http://www.curveaudio.net/index.htm A company run by sound recordists! – specialising in
ambisonic soundscape production and installations for museums and visitor
attractions
http://www.avatar.com.au/domes/PMPS.html homepage of Australian company who make domes – they
have some with ambisonic sound systems in.
http://www.cloudbass.com/Site/events/modulus/splash.html Derby-based 360 -degree sound and vision portable facility
http://www.1limited.com/tech/sp/ “digital sound projector” – single source multichannel audio projector
http://www.emfi.net/panphonics/multimedia.html elctrostatic-type flat panel but new in many respects. 1st paper was @ the AES16 conference in Finland
http://www.aes.org/publications/preprints/lists/110.cfm list of AES110 preprints relevant to developments in sound technology
http://www.sc-server1.bt.com/bttj/archive.htm BT’s work on spatial audio for telepresence
http://www.sc-server1.bt.com/bttj/vol17no1/04.pdf similar to above
Audio Illusions.
http://www.sandlotscience.com/Ambiguous/Ambiguous_frm.htm familiar Shephard ever-ascending (or descending) scale illusion, but you can play the java applet with the mouse
http://mambo.ucsc.edu/psl/dwmdir/da.html brief description of “McGurk effect”
http://www.noah.org/science/audio_paradox/
three interesting audio paradoxes
http://www.philomel.com/description.html#mysterious several of Diana Deutsch’s famous auditory illusions available online
http://www.psych.mcgill.ca/labs/auditory/bregmancd.html#top sample (audio) demonstrations of auditory scene analysis
http://pages.wooster.edu/jneuhoff/PBR-Doppler.pdf Doppler is not what you think it is…
http://mag.bidmc.harvard.edu/pdf/ShamsKamitaniCogBrainRes02.pdf a beep and a flash presented together= fine, but multiple beeps produce the illusion of multiple flashes. Cognitive science paper (bit heavy)
http://eamusic.dartmouth.edu/~book/MATCpages/chap.4/chap4.snd/forann.aiff.mp3 Sound sample: ever-ascending mp3 -For Ann (rising), by James Tenney. Tenney is an important computer music composer and pioneer who worked at Bell Laboratories with Roger Shepard in the early 1960s.
Audio Art:
http://www.emf.org/artists/neuhaus99/
http://kalerne.free.fr/index2.html interesting things you can do by throwing away the rule book
http://www.waisman.wisc.edu/~zahorik/papers/asa02b.pdf (not for citation without permission) – one of a series of papers by respected researcher; this one deals with distance perception, one of the most important ingredients of spatial perception
http://www.ambiophonics.org/ Ralph Glasgal’s idiosyncratic ambiophonics site has readable sections on the psychoacoustics. See also http://www.ambiophonics.org/blumlein_conspiracy.htm
http://www.engr.sjsu.edu/~duda/Duda.Research.frameset.html Sound Localization Research Richard Duda – excellent resource concerning both the analysis and synthesis of spatial sound. Also: http://www-engr.sjsu.edu/~knapp/HCIROD3D/3D_home.htm - tutorials.
http://www.parmly.luc.edu/parmly/clifton.html Clifton effect and precedence effect
http://www.parmly.luc.edu/parmly/franssen.html Franssen effect
http://www.psych.mcgill.ca/labs/auditory/laboratory.html Auditory Scene Analysis
http://www.auditory.org/ Homepage for the Auditory list; valuable technical resource
http://online.sfsu.edu/~psych200/unit6/67.htm Simple spatial hearing tutorial -undergrad / A-level.
http://www.speech.psychol.ucl.ac.uk/lectures/C526/hearing4.pdf binaural hearing models
http://www.waisman.wisc.edu/~zahorik/papers/asa02b.pdf - see above.
http://www.icad.org/websiteV2.0/Conferences/ICAD2002/proceedings/54_Zahorik.pdf
AUDITORY DISPLAY OF
SOUND SOURCE DISTANCE Pavel Zahorik
http://www.icad.org/websiteV2.0/Conferences/ICAD2002/proceedings/08_DensilCabrera2.pdf
AUDITORY DISTANCE PERCEPTION OF SPEECH IN THE PRESENCE OF NOISE Densil
Cabrera and David Gilfillan
http://www.unc.edu/~rhwiley/pdfs/NaguibWiley2002.pdf REVIEW
Estimating the
distance to a source of sound: mechanisms and adaptations for long-range
communication
MARC NAGUIB* & R. HAVEN WILEY†
http://library.thinkquest.org/19537/Ear.html simple but enjoyable interactive site
http://www.ethnomusic.ucla.edu/Courses/ESM172a/FILES172A/Week3.htm pertinent to theories of music perception; undergrad level.
http://www.aip.org/pt/nov99/locsound.html Excellent and straight forward explanation of basic spatial hearing theories.
http://web.mit.edu/hst.723/www/ThemePapers/Plasticity/WightmanKistler98.pdf -Of vulcan
ears, human ears and earprints
Fred Wightman and Doris Kistler ©
1998 Nature America Inc. • http://neurosci.nature.com
http://www.biols.susx.ac.uk/home/Chris_Darwin/Perception/Lecture_Notes/Hearing_Index.html
http://www-ccrma.stanford.edu/~jos/GlobalJOSIndex.html useful index for subject headings – quite exhaustive.
http://www-ccrma.stanford.edu/~jos/index.html#searchform Homepage of Julius Orion Smith, author of the above resource an extensive guide to audio signal processing material at Stanford, -primarily a resource for M.Sc. material
http://www.patenworks.com/links/audio.asp Iain Paterson-Stephen’s links page – good resource for Derby students
http://ff123.net/index.html Discussion of Audio Compression -links to listening tests, for various codecs
http://pages.wooster.edu/jneuhoff/index.htm perception - “real world” items.
http://www.soundalert.co.uk/ University of Leeds spin-off company specialising in research into the effectiveness of spatial audio as display medium
http://www.well.com/user/smalin/samindex.html Interesting site by sound enthusiast – very varied links as well as short essay on audification of data traffic.
http://www.presence-research.org/
Presence-Research.org aims to
offer up-to-date and relevant information and resources on (tele-)presence,
i.e. the subjective experience of 'being there' in mediated environments
http://etrij.etri.re.kr/etrij/pdfdata/18-01-04.pdf
“Realistic Audio Teleconferencing using Binaural
and
Auralization Techniques” paper
http://www.cs.ubc.ca/spider/pai/papers/KlPaKr00.pdf
Perception of Material from Contact Sounds – relevant
to sound synthesis in VR
http://hallphysic.com/physics/637.shtml lists several seminal audio-related books
http://www.stereosoundbook.com/index.html Definitive handbook on stereo matters, including plenty of psychoacoustics.
http://www.rpginc.com/cgi-bin/byteserver.pl/news/reflections/Drv6i3.pdf
©2000, RPG DIFFUSOR SYSTEMS INC. Newsletter for Progressive Acoustics Research
http://linux-sound.org/swss.html huge list of synthesis links.
http://profs.sci.univr.it/~dafx/Final-Papers/pdf/Chowning.pdf
digital sound synthesis, acoustics, and perception: a rich Intersection
http://xenia.media.mit.edu/~mkc/mitpress/node2.html
timbre and its components; relevant to synthesis.
, Discrete-Time Modelling of Brass and Reed woodwind Instruments with Application to Musical Sound Synthesis, Maarten van Walstijn Faculty of Music, University of Edinburgh, June 2002
Acoustics and Signal Processing Techniques for Physical Modeling of Brass Instruments, David P. Berners Ph.D. thesis, Electrical Engineering Department, Stanford University (CCRMA), June 1999
http://www-ccrma.stanford.edu/~jos/tonehole/
This paper presents a digital waveguide woodwind
instrument tonehole implementation which, in a single model, characterizes all
states of the hole from open to closed Gary P. Scavone (gary@ccrma.stanford.edu)
Center for Computer Research
in Music and Acoustics (CCRMA)
Department of Music, Stanford University
http://www-ccrma.stanford.edu/~jos/pmupd/Strings.html
discussion of modelling strings
http://www.ruhr-uni-bochum.de/ika/framu/english/framu/research/resea.htm
http://www.framleyexaminer.com/ -vital for contextual research