MY DREAMS AS AN ARTIST TODAY

My art don`t look like - I like to go further and I don`t want to obey no law than the law of the God, Cosmical. In the world of the Devil, there`s no easynes, only hardness, and there - `you must`, but in the world of human beings who wants to touch or reach cosmical, deep inside them - `You wish to, or you want to...`
I don`t like to use anything which leads to any kind of confection or statistics.
Surely, I start from something of all that artists before me, like from the genetic acsioms, without repeating them..
The whole world is one soul and one body. The Unity is law of the God, and the Mutation is the law of the Nature.

I have a dream about -
First : That my art be as easy and simple, to give a look like the child can do it, and againe that inside them is as many of that ordinary cosmical sincerety, to be simply recognized for everyone, no matter if it is on the third view...
And second : That the Artist and philopsopher, the scientist and theologist, start to communicate with the same language, like the whole world becomes from the one soul, pure and bright.

Misha Kravcev 1994

They asked me, why the women is the prior object at my pictures.
A woman is everything. A woman is the beauty, the harmony, the Nature in it`s prettiest shape. A woman is something, without all my energy is useless and existing no more.
Out from the woman`s body, steped down from the Heaven,
I came to this world, and throughout a woman I could only see the celestial light which atracts me.
A woman is also that red colour coming from the breasts of my `Aphrodita`, coming to this world just before dawn; a woman is the Firstmother; that landscape made out from the hiden acts, in my painting `Creation of the world`.
A woman is subtlety and sophistication, that today`s world need desperately.

Misha Kravcev,1996

Why I am painting in blue -
Creation through the colours


(A part of an interview) :
Journalist : Why are You using mostly the blue colour ?
Misha Kravcev : There are only three basic colours, the blue, the yellow, and the red, and from this three, we can make all the others.
The blue and the yellow are becoming from the white, like the red is becoming from the black. For exeample, put only a drop of white in the red, you`ll get pink. That`s the reason the blue and yellow send the rays, and the red receive, and atracts.
In the nature, blue is the sky, yellow is a sunshine, and red is the flame in the center of the Earth, the red is our flash, and our blood.
Once upon the time, before everything starts, whole Earth was red, all in the fire and flame, still without life. And it was warm and desirous.
Blue from the sky, and yellow from the sun light, together, make the green colour, an emerald. And that emerald flowed down to the Earth, atracted by her red colour, to touch her. The first rain had falled, and the life begines.
From that reason, the green colour ?ts our eyes`, it comes to us directly, allways in the move, and the red is so remarkable, allways stable and atracting, like the mathery, allways in desirable to touch her and to get attention.
The yelow is the colour of the center of the space. The yellow rules. The people who coudn`t stand some authority, sometimes get nervous, even if someone wears for exeample a yellow T-sheart. Imagine for exeample, to live in a room with transparent yellow walls, many people could become crazy about that.
And the blue is the colour of the spirit, of untouchable, of air, of the sky. Even the mountains on the horizont are becoming blue. The blue is the colour of the spirit without flash. Imagine, some food in your plate, if become blue, you will loose even the smalest desire to eat it.
Like we have four seasons, for elements, four races, for sides of the world, we have also: red, green, yellow and blue.
I mostly paint with blue and white, because in nowdays, in the period of galloping technology and computer systems, I want to paint what is unvisiable with simple view and untouchable, but we all can feel it, and what connects all of us in one life.
Today, any camera or computer, could make something better in a plastic reality that any painter can, and I am trying to evoke that things, understundable for all spirits.
And because of this I am proude. Today, technology can copy almost every artwork from the history untill now, but no painter, no camera, no technology, can copy that spirit which is shining from my paintings, or to copy anyone of them to be excately the same.