Why I am painting in blue -
Creation through the colours

(A part of an interview) :
Journalist : Why are You using mostly the blue colour ?
Misha Kravcev : There are only three basic colours, the blue, the yellow, and the red, and from this three, we can make all the others.
The blue and the yellow are becoming from the white, like the red is becoming from the black. For exeample, put only a drop of white in the red, you`ll get pink. That`s the reason the blue and yellow send the rays, and the red receive, and atracts.
In the nature, blue is the sky, yellow is a sunshine, and red is the flame in the center of the Earth, the red is our flash, and our blood.
Once upon the time, before everything starts, whole Earth was red, all in the fire and flame, still without life. And it was warm and desirous.
Blue from the sky, and yellow from the sun light, together, make the green colour, an emerald. And that emerald flowed down to the Earth, atracted by her red colour, to touch her. The first rain had falled, and the life begines.
From that reason, the green colour ?ts our eyes`, it comes to us directly, allways in the move, and the red is so remarkable, allways stable and atracting, like the mathery, allways in desirable to touch her and to get attention.
The yelow is the colour of the center of the space. The yellow rules. The people who coudn`t stand some authority, sometimes get nervous, even if someone wears for exeample a yellow T-sheart. Imagine for exeample, to live in a room with transparent yellow walls, many people could become crazy about that.
And the blue is the colour of the spirit, of untouchable, of air, of the sky. Even the mountains on the horizont are becoming blue. The blue is the colour of the spirit without flash. Imagine, some food in your plate, if become blue, you will loose even the smalest desire to eat it.
Like we have four seasons, for elements, four races, for sides of the world, we have also: red, green, yellow and blue.
I mostly paint with blue and white, because in nowdays, in the period of galloping technology and computer systems, I want to paint what is unvisiable with simple view and untouchable, but we all can feel it, and what connects all of us in one life.
Today, any camera or computer, could make something better in a plastic reality that any painter can, and I am trying to evoke that things, understundable for all spirits.
And because of this I am proude. Today, technology can copy almost every artwork from the history untill now, but no painter, no camera, no technology, can copy that spirit which is shining from my paintings, or to copy anyone of them to be excately the same.